In times past, when circumstances demanded new ways of expression, it was often female writers who invented new words.

The word 'frustrating' makes its first appearance in print in George Eliot's novel Middlemarch, when she describes "the hampering threadlike pressure of small social conditions, and their frustrating complexity."

Taking inspiration from George Eliot and Jane Austen, Charlotte Bronte and Dorothy Wordsworth, we can find some helpful principles for sculpting a vocabulary to describe the surreal realities in these tense and trying times.

The suffix '-ness' can transform a plain word into something stranger and affectingly abstract. For example, 'dark' is factual, whereas 'darkness' is more graphic and poetic.

Other words that already follow this form: the unvisitedness of our parents and grandparents. The unembracedness of our friends. The egglessness of our pantries.