“The Gothic speaks to this sense that we are all entangled in a messy middle, living in weird borderless biomes whose complex networks we can barely fathom.”

“Pointed arches stretch up towards God, flooding the interior with divine light and inspiring solemn awe, what one commentator called ‘an artificial infinite’.” - Roger Luckhurst

Gothic Architecture

“Monsters are cultural bodies that mark a ‘crisis of category’.” - <a href="https://www.jeffreyjeromecohen.com">Jeffery Jerome Cohen</a>

Monsters

“Humans exist in complex, interdependent, cross-species assemblages that drives a more subtle kind of monster.” - Roger Luckhurst

Cross-species Assemblages

“The octopus is likely to be ‘the closest we will come to meeting an intelligent alien’.” - Peter Godfrey-Smith, <a href="https://www.amazon.com/Other-Minds-Octopus-Evolution-Intelligent-ebook/dp/B01LXKA6FO/ref=nodl_?dplnkId=e5387ccf-f186-446b-bb23-70914bd82dc1">The Octopus and the Evolution of Intelligent Life (2016)</a>

Tentacles

“The biological world of fungi is highly ordered, marked by open-ended cooperative assemblages, ecologies whose complexities scientists are still trying to grasp.” - Roger Luckhurst

Fungi

“Gothic” by Roger Luckhurst is a plentiful book full of Gothic information. Ranging from categories such as architecture, design, film and television.

A richly illustrated history of the Gothic across a wide range of media, including architecture, literature, and film The word Gothic conjures associations with the dark and melancholy, the weird and feared, and haunted places and people. In Gothic, Roger Luckhurst offers readers an unprecedented look at the ways this uncanny style has manifested itself through architecture, literature, film, art, video games, and more. From the works of Victor Hugo and E. T. A. Hoffman to Southern Gothic, ancient folklore, and classic horror movies, Roger Luckhurst explores how an aesthetic that began in the margins has been reinvented through the centuries to become part of mainstream global culture. Organizing his wide-ranging history by theme, Luckhurst begins with Gothic architecture and form, including such elements as the arch, the house, and ruins. He considers how the Gothic is depicted in rural and urban settings, as well as in the wilderness and borderlands. And he delves into Gothic traditions and settings around the world, from the sublime Alps and Australian outback to the Arctic wasteland, from the dark folkloric realm of the forest to the postindustrial landscapes of abandoned hospitals and asylums, and then beyond the bounds of the planet to unknowable cosmic horror. Luckhurst investigates the monsters that mirror ourselves and society, and demonstrates that as the Gothic has traveled across the globe and through time, it has morphed according to the shape of our changing fears and anxieties. Filled with a wealth of color illustrations, Gothic will satisfy anyone yearning to lift the veil on our fascination with the eerie, morbid, and supernatural.

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