Look at how the painting is arranged, the underlying shapes (structure), the relationships between the different parts, and how your eye moves around. <ul><li>Arrangement, layout, structure, position</li><li>Landscape, portrait, square, circular, triangular</li><li>Horizontal, vertical, diagonal, angled</li><li>Foreground, background, middle ground</li><li>Centred, asymmetrical, symmetrical, balanced, unbalanced, lopsided, off-centre</li><li>Overlapping, cluttered, chaotic</li><li>Separate, spacious, empty</li><li>Free, flowing, fragmented</li><li>Formal, rigid, upright, confined</li></ul>

Composition

It's often hard or impossible to see texture in a photo of a painting, so try not to talk about it if you don't see any texture. <ul><li>Flat, polished, smooth</li><li>Raised, rough, coarse</li><li>Cut, incised, pitted, scratched, uneven</li><li>Hairy, sticky</li><li>Soft, hard</li><li>Shiny, glossy, reflective</li><li>Semigloss, satin, silk, frosted, matte</li></ul>

Texture

Consider the mood or atmosphere of the painting. What emotions do you experience? <ul><li>Calm, content, peaceful, relaxed, tranquil</li><li>Cheerful, happy, joyful, romantic</li><li>Depressed, gloomy, miserable, sad, sombre, tearful, unhappy</li><li>Aggressive, angry, chilling, dark, frightening, violent</li><li>Energetic, exciting, stimulating, thought-provoking</li><li>Boring, dull, lifeless, insipid</li></ul>

Mood or Atmosphere

Consider the sense of depth and volume of the artwork. <ul><li>2-D, flat, abstracted, simplified, stylized</li><li>3-D, realistic, natural sense of depth and space</li><li>Sharp, detailed</li><li>Blurred, obscured, overlapping, indistinct</li><li>Distorted, exaggerated, geometric</li><li>Linear, long, narrow</li><li>Hard-edged, soft-edged</li></ul>

Form and Shape

Consider the shade of the colours and the way tone is used in the whole painting. <ul><li>Dark, light, middle</li><li>Flat, uniform, unvarying, smooth, plain</li><li>Varied, broken</li><li>Constant, changing</li><li>Graduated, contrasting</li><li>Monochromatic</li></ul>

Tone or shade

In some painting styles, all brush marks are eliminated by the artist. In others, the marks are clearly visible. <ul><li>Visible, blended, smooth</li><li>Thick, thin</li><li>Bold, timid</li><li>Heavy, light</li><li>Edgy, smooth</li><li>Exhibiting glazes, washes, dry brushing, stippling, hatching, splatters</li><li>Layered, flat</li><li>Precise, refined, regular, straight, systematic</li><li>Quick, sketchy, uneven, irregular, vigorous</li><li>Regular, patterned</li><li>Showing marks made with a knife, brush</li></ul>

Mark Making

The lighting of the painting is shown in terms of direction, how it creates shadows, its colour, intensity, the mood it creates, and whether the light is from the sun (natural) or a fire (artificial.) Describe the shadows and highlights as well. <ul><li>Backlit, front-lit, side-lit, top-lit</li><li>Indirect, reflected or no directional light</li><li>Natural</li><li>Artificial</li><li>Cool, blue, grey</li><li>Warm, yellow, red</li><li>Dim, faint, gentle, gloomy, low, minimal, muted, soft</li><li>Clear, brilliant, bright, glowing, fiery, harsh, intense, sharp</li></ul>

Lighting

Consider the angle or position of the subject of the artwork. How has the artist decided to present it? <ul><li>Front, side, three-quarters, profile, rear (behind)</li><li>Close up, far away, life-size, bird's eye view</li><li>Upward, downward, sideways</li><li>Standing, sitting, lying down, bending</li><li>Gesturing, moving, resting, static</li></ul>

Viewpoint and Pose

Think about your overall impression of the colours used in the painting. Consider how they look and feel, work together, and fit with the subject of the painting. <ul><li>Natural, clear, compatible, distinctive, lively, stimulating, subtle, sympathetic</li><li>Artificial, clashing, depressing, gaudy, jarring, unfriendly, violent</li><li>Bright, deep, earthy, harmonious, intense, rich, strong, vibrant, vivid</li><li>Dull, flat, bland, pale, subdued, quiet</li><li>Cool, cold, warm, hot, light, dark</li><li>Blended, broken, muddied, pure</li><li>Complementary, contrasting, harmonious</li></ul>

Colour

It can seem like you're stating the obvious, but if you consider how to describe an artwork to someone who has never seen it, you would probably tell them the subject of the painting. <ul><li>Abstract</li><li>Cityscape, buildings, man-made, urban, industrial</li><li>Fantasy, imaginary, invented, mythological</li><li>Figures, portraits</li><li>Interiors, domestic</li><li>Landscape, seascape</li><li>Still life</li></ul>

Subject Matter

Knowing which medium the work of art was created in can be useful to include in your description. <ul><li>Oil, tempera</li><li>Acrylics</li><li>Pastel, chalk, charcoal</li><li>Mixed media, collage</li><li>Watercolour, gouache</li><li>Ink</li><li>Fresco</li><li>Spray paint</li><li>Wood panels, canvas, glass</li></ul>

Media

When a work is particularly large or small, it may be necessary to include the size and descriptive words, such as mural, miniature, or triptych.

Size

To talk about paintings, you need to be familiar with the vocabulary to describe, analyse and interpret what you're seeing. The more art terms you know, the easier it becomes to think of the right word.

Art vocabulary

Does the painting seem to be a particular style? There are many terms for different styles throughout the history of art, and knowing these descriptors can leave instant impressions. <ul><li>Realism, photorealism</li><li>Cubism, surrealism</li><li>Impressionism</li><li>Modernism, expressionism</li><li>Chinese, Japanese, or Indian style</li><li>Plein air</li></ul>

Style

First, describe the overall aspect before you describe the individual objects. <ul><li>Antique, battered, damaged, dusty, old, worn</li><li>New, clean, shiny</li><li>Functional, decorative, fancy</li><li>Domestic, humble</li><li>Commercial, industrial</li></ul>

Still Life

To talk about paintings, and art in general, you need the right words to describe, analyze, and interpret what you're seeing.

Size

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