What better explains the prevalence of heavy metal in Scandinavian countries: culture or economy?

Scandinavian Heavy Metal: Why Earth's Happiest Place Makes the Darkest Music

<ul><li>Heavy metal is more popular in Scandinavian countries than anywhere else in the world.</li><li>There are more heavy metal bands per capita in Scandinavia than in any other region.</li><li>This has led to some people asking why such a dark and angry genre of music is so popular in such happy and peaceful countries.</li></ul>

Introduction

<ul><li>The "compensatory theory" suggests that Scandinavians listen to heavy metal as a way to release pent-up aggression and frustration.</li><li>The "Nordic identity" theory suggests that heavy metal is a way for Scandinavians to express their unique cultural identity.</li><li>The "climate" theory suggests that the long, dark winters in Scandinavia make people more likely to listen to heavy metal.</li></ul>

Theories on the popularity of heavy metal in Scandinavia

<ul><li>Some people believe that there is a paradox between the popularity of heavy metal in Scandinavia and the country's high happiness ratings.</li><li>However, others argue that there is no paradox, and that happy countries can still enjoy dark and angry music.</li><li>They suggest that heavy metal can be a way for people to express their emotions in a healthy way.</li></ul>

The relationship between happiness and heavy metal

The popularity of heavy metal in Scandinavia is a complex phenomenon with no easy explanation.However, the theories discussed in this article suggest that there are a number of factors that contribute to its popularity, including the country's cultural identity, climate, and the need for an outlet for aggression and frustration.

Conclusion

<figure><img width="272" height="153" src="https://bigthink.com/wp-content/uploads/2023/07/Meshuggah_-_Rock_am_Ring_2018-6418.jpg?w=480&amp;h=270&amp;crop=1" alt="A group of people on stage at a concert with bright lights." srcset="https://bigthink.com/wp-content/uploads/2023/07/Meshuggah_-_Rock_am_Ring_2018-6418.jpg?resize=20, https://bigthink.com/high-culture/heavy-metal-scandinavia/12 20w, https://bigthink.com/wp-content/uploads/2023/07/Meshuggah_-_Rock_am_Ring_2018-6418.jpg?resize=40, https://bigthink.com/high-culture/heavy-metal-scandinavia/23 40w, https://bigthink.com/wp-content/uploads/2023/07/Meshuggah_-_Rock_am_Ring_2018-6418.jpg?resize=80, https://bigthink.com/high-culture/heavy-metal-scandinavia/45 80w, https://bigthink.com/wp-content/uploads/2023/07/Meshuggah_-_Rock_am_Ring_2018-6418.jpg?resize=160, https://bigthink.com/high-culture/heavy-metal-scandinavia/90 160w, https://bigthink.com/wp-content/uploads/2023/07/Meshuggah_-_Rock_am_Ring_2018-6418.jpg?resize=256, https://bigthink.com/high-culture/heavy-metal-scandinavia/144 256w, https://bigthink.com/wp-content/uploads/2023/07/Meshuggah_-_Rock_am_Ring_2018-6418.jpg?resize=320, https://bigthink.com/high-culture/heavy-metal-scandinavia/180 320w, https://bigthink.com/wp-content/uploads/2023/07/Meshuggah_-_Rock_am_Ring_2018-6418.jpg?resize=480, https://bigthink.com/high-culture/heavy-metal-scandinavia/270 480w, https://bigthink.com/wp-content/uploads/2023/07/Meshuggah_-_Rock_am_Ring_2018-6418.jpg?resize=640, https://bigthink.com/high-culture/heavy-metal-scandinavia/360 640w, https://bigthink.com/wp-content/uploads/2023/07/Meshuggah_-_Rock_am_Ring_2018-6418.jpg?resize=832, https://bigthink.com/high-culture/heavy-metal-scandinavia/468 832w, https://bigthink.com/wp-content/uploads/2023/07/Meshuggah_-_Rock_am_Ring_2018-6418.jpg?resize=1200, https://bigthink.com/high-culture/heavy-metal-scandinavia/675 1200w, https://bigthink.com/wp-content/uploads/2023/07/Meshuggah_-_Rock_am_Ring_2018-6418.jpg?resize=1440, https://bigthink.com/high-culture/heavy-metal-scandinavia/810 1440w, https://bigthink.com/wp-content/uploads/2023/07/Meshuggah_-_Rock_am_Ring_2018-6418.jpg?resize=1824, https://bigthink.com/high-culture/heavy-metal-scandinavia/1026 1824w, https://bigthink.com/wp-content/uploads/2023/07/Meshuggah_-_Rock_am_Ring_2018-6418.jpg?resize=420, https://bigthink.com/high-culture/heavy-metal-scandinavia/236 420w, https://bigthink.com/wp-content/uploads/2023/07/Meshuggah_-_Rock_am_Ring_2018-6418.jpg?resize=768, https://bigthink.com/high-culture/heavy-metal-scandinavia/432 768w, https://bigthink.com/wp-content/uploads/2023/07/Meshuggah_-_Rock_am_Ring_2018-6418.jpg?resize=495, https://bigthink.com/high-culture/heavy-metal-scandinavia/278 495w, https://bigthink.com/wp-content/uploads/2023/07/Meshuggah_-_Rock_am_Ring_2018-6418.jpg?resize=680, https://bigthink.com/high-culture/heavy-metal-scandinavia/382 680w, https://bigthink.com/wp-content/uploads/2023/07/Meshuggah_-_Rock_am_Ring_2018-6418.jpg?resize=854, https://bigthink.com/high-culture/heavy-metal-scandinavia/480 854w"><figcaption dir="auto">Meshuggah concert. (Credit: Andreas Lawen, Fotandi / Wikipedia)</figcaption></figure>Scandinavian countries consistently rank as the happiest in the world, and for good reason. Their societies are trustful and homogenous, with high GDPs per capita, long life expectancies, and reliable infrastructure. Even their prisons, which emphasize rehabilitation over punishment and allow inmates to cook their own meals and grow their own gardens, seem relatively pleasant.But there is another, lesser-known statistic concerning Nordic countries, one that initially appears to contradict the first: their fondness of heavy metal music. A <a href="https://www.avclub.com/infographic-shows-scandinavia-s-metal-band-population-o-1798247705" rel="noreferrer noopener" dir="ltr">2016 survey</a> by the Czech linguist and mathematician Jakub Marian found that, while the United States only had around 72 metal bands for every million citizens, Sweden had more than 428. Finland came out on top with a grand total of 630. Iceland and Norway, which had 341 and 299 per million citizens, respectively, still ranked well above the 69 bands of the United Kingdom, heavy metal’s historic birthplace.It’s hard to say why heavy metal is so popular in Scandinavia, not in the least because this clean, content, and prosperous corner of the globe has so little in common with the place where the genre is believed to have <a href="https://www.jstor.org/stable/40802112" rel="noreferrer noopener" dir="ltr">found its voice</a>: the dirty, overworked factory floors of post-war Birmingham. Over the years, anthropologists and music historians have proposed many theories, the most convincing of which are discussed below.<h2>The origins of Scandinavian metal</h2>Nordic or Scandinavian metal is more melodic than its American and British counterparts. First emerging in the 1980s, it can be divided into sub-genres specific to each country. Swedish death metal, epitomized by bands like Meshuggah (known for songs like Bleed and New Millenium Cyanide Christ), is loud and boisterous. Its deep and growling vocals stand in sharp contrast to its high-pitched and more lyrical neighbor: Norwegian black metal, which is represented by bands like Mayhem (Falsified and Hated) and Emperor (I am the Black Wizards). Similar comparisons can be made between Finland, Denmark, and Iceland.<figure><img width="544" height="544" src="https://bigthink.com/wp-content/uploads/2023/07/Meshuggah_2008_Melbourne.jpg?is-pending-load=1" alt="A group of people on stage at a concert." srcset="data:image/gif;base64, https://bigthink.com/high-culture/heavy-metal-scandinavia/R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7"><figcaption dir="ltr">Meshuggah performing in Australia. (<a href="https://commons.wikimedia.org/wiki/File:Meshuggah_2008_Melbourne.jpg" dir="ltr">Credit</a>: Leposava / Wikipedia)</figcaption></figure>Some argue that heavy metal has become popular among Scandinavians because it allows them to process feelings they cannot easily express in public. Nordic societies are notoriously introverted, valuing conformity over diversity, and preferring silence over meaningless small talk. In Sweden, this disposition is actually referred to as dödprat, or “dead talk.” People are expected to solve their problems without burdening others, and genuine friendship — while extremely cherished — is also extremely difficult to earn. In a country where being loud and boisterous is generally seen as rude and annoying, the freedom to scream at a concert without fear of judgment may be a powerful release.Maybe Scandinavians are attracted to heavy metal music because its explosive sounds and violent imagery speak to their Viking heritage. Scandinavian metal has been called Viking metal, and many songs chronicle or allude to the famed seafaring warriors. On top of this, the frenzied state that heavy metal music evokes has been compared to the chants that Vikings used to sing to prepare themselves for battle and strike fear in the hearts of their enemies. Digging deeper, Nikolas Sellheim, a scholar of Nordic history and culture, <a href="https://www.cambridge.org/core/journals/polar-record/article/abs/rage-of-the-northmen-extreme-metal-and-northmotivated-violence/8CA1F5121A7883A1BA6D486D56D5FFD1" rel="noreferrer noopener" dir="ltr">argues</a> that Nordic metal also serves to critique the kind of “stereotypical assumptions of violent Viking expansion” that have become so prevalent in foreign media in recent decades.Other well-known explanations point to Scandinavia’s history of paganism, another prominent element of Nordic metal and its performance. The genre’s dark character might relate to the region’s unforgiving climate and long nights (the northernmost areas do not see any sunlight from November to January), while its countercultural, anti-authoritarian stance could be a response to micromanaging governments.<figure><img width="544" height="544" src="https://bigthink.com/wp-content/uploads/2023/07/Wikinger.jpg?is-pending-load=1" alt="A picture of men in boats on the water." srcset="data:image/gif;base64, https://bigthink.com/high-culture/heavy-metal-scandinavia/R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7"><figcaption dir="ltr">Could Scandinavian metal speak to Scandinavia’s Viking past? (<a href="https://commons.wikimedia.org/wiki/File:Wikinger.jpg" dir="ltr">Credit</a>: Rdnk / Wikipedia)</figcaption></figure>A slightly more controversial though no less interesting theory holds that Scandinavian countries gravitate toward metal precisely because of their high happiness ratings, and not in spite of them. The underlying idea here is that happy countries use unhappy music as a form of escapism, just as unhappy countries use happy music as a coping mechanism. Though alluring, such a clean-cut dichotomy falls apart the more you scrutinize it. For example, while cartel-controlled Mexico is famous for its upbeat banda, salsa, and mariachi music, the country knows no shortage of heart-wrenching ballads. Similarly, though Sweden has more heavy metal bands than any other country in the world, it is also home to Iskelmä, a term that originally referred to traditional folk and dance music, but now denotes a range of light-hearted, positively charged pop songs.<h2>A different perspective</h2>Statistics could provide additional answers. Cameron DeHart, professor of philosophy at the University of California, Merced, <a href="https://www.researchgate.net/publication/327374742_Metal_by_numbers_Revisiting_the_uneven_distribution_of_heavy_metal_music" rel="noreferrer noopener" dir="ltr">argues</a> that the global distribution of heavy metal as outlined by Marian can be largely attributed to wealth and democracy. Urban studies theorist Richard Florida and economics professor Charlotta Mellander <a href="https://qz.com/213578/to-know-the-wealth-of-a-nation-look-at-their-heavy-metal-scene" rel="noreferrer noopener" dir="ltr">found</a> a <a href="https://bigthink.com/surprising-science/heavy-metal-as-science-learning-tool/" rel="noreferrer noopener" dir="ltr">positive correlation</a> not only between a country’s fondness of heavy metal and its economic output, but also its levels of creativity, entrepreneurship, and education.Focusing on wealth, DeHart writes that economic and political conditions relating to a society’s “capacity to record and consume music” appear to be better predictors for metal’s popularity than religiosity or self-satisfaction. Mellander, who teaches at the Jönköping International Business School in Sweden, attributes the surplus of Scandinavian metal bands to the high-quality (and compulsory) music training taught in Scandinavian schools, which — as her colleague told <a href="https://qz.com/213578/to-know-the-wealth-of-a-nation-look-at-their-heavy-metal-scene" rel="noreferrer noopener" dir="ltr">Quartz</a> — “created a generation with the musical chop to meet metal’s technical demands.”<figure><img width="544" height="544" src="https://bigthink.com/wp-content/uploads/2023/07/Folk_dance_H6140_Tanhuajat_P.jpg?is-pending-load=1" alt="A group of people dancing in front of a building." srcset="data:image/gif;base64, https://bigthink.com/high-culture/heavy-metal-scandinavia/R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7"><figcaption dir="ltr">Finnish folk music is a far cry from Finnish metal, yet the two are equally beloved. (<a href="https://commons.wikimedia.org/wiki/File:Folk_dance_H6140_Tanhuajat_P.JPG" dir="ltr">Credit</a>: Annelis / Wikipedia)</figcaption></figure>These observations are echoed in Edward Banchs’ Scream For Me Africa!: Heavy Metal Identities in Post-Colonial Africa, which similarly refutes the notion that the appreciation for and prominence of metal depends primarily on culture instead of commerce. “The reality is the economics of Africa,” Banchs told <a href="https://www.npr.org/sections/goatsandsoda/2022/08/07/1114616272/scream-for-me-africa-how-the-continent-is-reinventing-heavy-metal-music" rel="noreferrer noopener" dir="ltr">NPR</a> when asked why the continent has such a small and underappreciated music scene. “Playing in a band is expensive. The ability to access good instruments is not easy. Furthermore, electricity [required to power electric guitars, microphones and amps] remains inconsistent in certain places.”Viewed from this perspective, it appears heavy metal did not just take root in Nordic countries because it has some special connection to Nordic culture, history, and climate, but also because these countries are rich enough to support a scene of this size.<div> Tags </div>

Does the prevalence of heavy metal music in Scandinavian countries say something about their culture, or their economy?

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Society, Arts & Culture

Scandinavian countries consistently rank as the happiest in the world, and for good reason. Their societies are trustful and homogenous, with high GDPs per capita, long life expectancies, and reliable infrastructure. Even their prisons, which emphasize rehabilitation over punishment and allow inmates to cook their own meals and grow their own gardens, seem relatively pleasant.

But there is another, lesser-known statistic concerning Nordic countries, one that initially appears to contradict the first: their fondness of heavy metal music. A <a href="https://www.avclub.com/infographic-shows-scandinavia-s-metal-band-population-o-1798247705">2016 survey </a>by the Czech linguist and mathematician Jakub Marian found that, while the United States only had around 72 metal bands for every million citizens, Sweden had more than 428. Finland came out on top with a grand total of 630. Iceland and Norway, which had 341 and 299 per million citizens, respectively, still ranked well above the 69 bands of the United Kingdom, heavy metal’s historic birthplace.

It’s hard to say why heavy metal is so popular in Scandinavia, not in the least because this clean, content, and prosperous corner of the globe has so little in common with the place where the genre is believed to have <a href="https://www.jstor.org/stable/40802112">found its voice </a>: the dirty, overworked factory floors of post-war Birmingham. Over the years, anthropologists and music historians have proposed many theories, the most convincing of which are discussed below.

Nordic or Scandinavian metal is more melodic than its American and British counterparts. First emerging in the 1980s, it can be divided into sub-genres specific to each country. Swedish death metal, epitomized by bands like Meshuggah (known for songs like Bleed and New Millenium Cyanide Christ ), is loud and boisterous. Its deep and growling vocals stand in sharp contrast to its high-pitched and more lyrical neighbor: Norwegian black metal, which is represented by bands like Mayhem (Falsified and Hated ) and Emperor (I am the Black Wizards ). Similar comparisons can be made between Finland, Denmark, and Iceland.

Some argue that heavy metal has become popular among Scandinavians because it allows them to process feelings they cannot easily express in public. Nordic societies are notoriously introverted, valuing conformity over diversity, and preferring silence over meaningless small talk. In Sweden, this disposition is actually referred to as dödprat, or “dead talk.” People are expected to solve their problems without burdening others, and genuine friendship — while extremely cherished — is also extremely difficult to earn. In a country where being loud and boisterous is generally seen as rude and annoying, the freedom to scream at a concert without fear of judgment may be a powerful release.

Maybe Scandinavians are attracted to heavy metal music because its explosive sounds and violent imagery speak to their Viking heritage. Scandinavian metal has been called Viking metal, and many songs chronicle or allude to the famed seafaring warriors. On top of this, the frenzied state that heavy metal music evokes has been compared to the chants that Vikings used to sing to prepare themselves for battle and strike fear in the hearts of their enemies. Digging deeper, Nikolas Sellheim, a scholar of Nordic history and culture, <a href="https://www.cambridge.org/core/journals/polar-record/article/abs/rage-of-the-northmen-extreme-metal-and-northmotivated-violence/8CA1F5121A7883A1BA6D486D56D5FFD1">argues </a>that Nordic metal also serves to critique the kind of “stereotypical assumptions of violent Viking expansion” that have become so prevalent in foreign media in recent decades.

Other well-known explanations point to Scandinavia’s history of paganism, another prominent element of Nordic metal and its performance. The genre’s dark character might relate to the region’s unforgiving climate and long nights (the northernmost areas do not see any sunlight from November to January), while its countercultural, anti-authoritarian stance could be a response to micromanaging governments.

A slightly more controversial though no less interesting theory holds that Scandinavian countries gravitate toward metal precisely because of their high happiness ratings, and not in spite of them. The underlying idea here is that happy countries use unhappy music as a form of escapism, just as unhappy countries use happy music as a coping mechanism. Though alluring, such a clean-cut dichotomy falls apart the more you scrutinize it. For example, while cartel-controlled Mexico is famous for its upbeat banda, salsa, and mariachi music, the country knows no shortage of heart-wrenching ballads. Similarly, though Sweden has more heavy metal bands than any other country in the world, it is also home to Iskelmä , a term that originally referred to traditional folk and dance music, but now denotes a range of light-hearted, positively charged pop songs.

Statistics could provide additional answers. Cameron DeHart, professor of philosophy at the University of California, Merced, <a href="https://www.researchgate.net/publication/327374742_Metal_by_numbers_Revisiting_the_uneven_distribution_of_heavy_metal_music">argues </a>that the global distribution of heavy metal as outlined by Marian can be largely attributed to wealth and democracy. Urban studies theorist Richard Florida and economics professor Charlotta Mellander <a href="https://qz.com/213578/to-know-the-wealth-of-a-nation-look-at-their-heavy-metal-scene">found </a>a <a href="https://bigthink.com/surprising-science/heavy-metal-as-science-learning-tool/">positive correlation </a>not only between a country’s fondness of heavy metal and its economic output, but also its levels of creativity, entrepreneurship, and education.

Focusing on wealth, DeHart writes that economic and political conditions relating to a society’s “capacity to record and consume music” appear to be better predictors for metal’s popularity than religiosity or self-satisfaction. Mellander, who teaches at the Jönköping International Business School in Sweden, attributes the surplus of Scandinavian metal bands to the high-quality (and compulsory) music training taught in Scandinavian schools, which — as her colleague told <a href="https://qz.com/213578/to-know-the-wealth-of-a-nation-look-at-their-heavy-metal-scene">Quartz </a> — “created a generation with the musical chop to meet metal’s technical demands.”

These observations are echoed in Edward Banchs’ Scream For Me Africa!: Heavy Metal Identities in Post-Colonial Africa , which similarly refutes the notion that the appreciation for and prominence of metal depends primarily on culture instead of commerce. “The reality is the economics of Africa,” Banchs told <a href="https://www.npr.org/sections/goatsandsoda/2022/08/07/1114616272/scream-for-me-africa-how-the-continent-is-reinventing-heavy-metal-music">NPR </a>when asked why the continent has such a small and underappreciated music scene. “Playing in a band is expensive. The ability to access good instruments is not easy. Furthermore, electricity [required to power electric guitars, microphones and amps] remains inconsistent in certain places.”

Viewed from this perspective, it appears heavy metal did not just take root in Nordic countries because it has some special connection to Nordic culture, history, and climate, but also because these countries are rich enough to support a scene of this size.

Scandinavian heavy metal: Why Earth's happiest place makes the darkest music