Across Oslo harbour, Munch superfan Tracey Emin is in town to unveil her bronze sculpture, The Mother, outside the Munch Museum. Later, she talks about her fascination with The Scream.
“It’s like some kind of sperm-like, unborn presence that is just within the ether,” she says. “It’s not a ghost, not a spirit. It’s something half there, and half in another world.”
She points out its timelessness: “I went to Egypt, to the Valley of the Kings, where there’s a foetus that would have become a king. And I said, ‘Oh my God, it’s just like The Scream!’”
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