Therefore, I see whatever exists as good, death is to me like life, sin like holiness, wisdom like foolishness, everything has to be as it is, everything only requires my consent, only my willingness, my loving agreement, to be good for me, to do nothing but work for my benefit, to be unable to ever harm me.

The sinner is not “on his way” to become a Buddha, he is not “in the process” of developing, though our capacity for thinking does not know how else to picture these things. No, within the sinner is now and today already the future Buddha, his future is already all there, you have to worship in him, in you, in everyone the Buddha which is coming into being, the possible, the hidden Buddha.

I love this very stone, and the river, and all these things we are looking at and from which we can learn. I can love a stone, Govinda, and also a tree or a piece of bark. These are things, and things can be loved. But I cannot love words. Therefore, teachings are no good for me, they have no hardness, no softness, no colours, no edges, no smell, no taste, they have nothing but words. Perhaps it is these which keep you from finding peace, perhaps it is the many words. Because salvation and virtue as well, Sansara and Nirvana as well, are mere words, Govinda.

He no longer saw the face of his friend Siddhartha, instead he saw other faces, many, a long sequence, a flowing river of faces, of hundreds, of thousands, which all came and disappeared, and yet all seemed to be there simultaneously, which all constantly changed and renewed themselves, and which were still all Siddhartha.

I have experienced on my body and on my soul that I needed sin very much, I needed lust, the desire for possessions, vanity, and needed the most shameful despair, in order to learn how to give up all resistance, in order to learn how to love the world, in order to stop comparing it to some world I wished, I imagined, some kind of perfection I had made up, but to leave it as it is and to love it and to enjoy being a part of it.

When someone is searching, […] then it might easily happen that the only thing his eyes still see is that what he searches for, that he is unable to find anything, to let anything enter his mind, because he always thinks of nothing but the object of his search, because he has a goal, because he is obsessed by the goal. Searching means: having a goal. But finding means: being free, being open, having no goal.

But the world itself, what exists around us and inside of us, is never one-sided. A person or an act is never entirely Sansara or entirely Nirvana, a person is never entirely holy or entirely sinful. It does really seem like this, because we are subject to deception, as if time was something real. Time is not real, Govinda, I have experienced this often and often again. And if time is not real, then the gap which seems to be between the world and the eternity, between suffering and blissfulness, between evil and good, is also a deception.

And, Govinda saw it like this, this smile of the mask, this smile of oneness above the flowing forms, this smile of simultaneousness above the thousand births and deaths, this smile of Siddhartha was precisely the same, was precisely of the same kind as the quiet, delicate, impenetrable, perhaps benevolent, perhaps mocking, wise, thousand-fold smile of Gotama, the Buddha, as he had seen it himself with great respect a hundred times. Like this, Govinda knew, the perfected ones are smiling.

[W]as not all suffering time, were not all forms of tormenting oneself and being afraid time, was not everything hard, everything hostile in the world gone and overcome as soon as one had overcome time, as soon as time would have been put out of existence by one’s thoughts?

Who has kept the Samana Siddhartha safe from Sansara, from sin, from greed, from foolishness? Were his father’s religious devotion, his teacher’s warnings, his own knowledge, his own search able to keep him safe? Which father, which teacher had been able to protect him from living his life for himself, from soiling himself with life, from burdening himself with guilt, from drinking the bitter drink for himself, from finding his path for himself?

Would you think, my dear, anybody might perhaps be spared from taking this path? That perhaps your little son would be spared, because you love him, because you would like to keep him from suffering and pain and disappointment? But even if you would die ten times for him, you would not be able to take the slightest part of his destiny upon yourself.

In this hour, Siddhartha stopped fighting his fate, stopped suffering. On his face flourished the cheerfulness of a knowledge, which is no longer opposed by any will, which knows perfection, which is in agreement with the flow of events, with the current of life, full of sympathy for the pain of others, full of sympathy for the pleasure of others, devoted to the flow, belonging to the oneness.

And all of these figures and faces rested, flowed, generated themselves, floated along and merged with each other, and they were all constantly covered by something thin, without individuality of its own, but yet existing, like a thin glass or ice, like a transparent skin, a shell or mold or mask of water, and this mask was smiling, and this mask was Siddhartha’s smiling face.

“Did you too learn that secret from the river: that there is no time?”Vasudeva’s face was filled with a bright smile.“Yes, Siddhartha,” he spoke. “It is this what you mean, isn’t it: that the river is everywhere at once, at the source and at the mouth, at the waterfall, at the ferry, at the rapids, in the sea, in the mountains, everywhere at once, and that there is only the present time for it, not the shadow of the past, not the shadow of the future?”

The name Siddharta suggests the idea of the siddha, one who has achieved perfection, namely enlightenment. (Part 2)

“You have done so by your own seeking in your own way, through thought, through meditation, through knowledge, through enlightenment. You have learned nothing through teachings, and so I think, O Illustrious One, that nobody finds salvation through teachings. To nobody, O Illustrious One, can you communicate in words and teachings, what happened to you in the hour of your enlightenment. The teachings of the enlightened Buddha embrace much, they teach much—how to live righteously, how to avoid evil. But there is one thing that this clear, worthy instruction does not contain; it does not contain the secret of what the Illustrious One himself experienced—he alone among hundreds of thousands.”Hermann Hesse, one of the literary stalwarts of the 20th century, was awarded the Nobel Prize in literature in 1946. Hesse wanted to be a poet from the early age of 12, and a slim volume of his poems was published in 1899. Unfortunately, it did not create a significant stir in the literary world. In 1904, Peter Camenzind, Hesse’s debut novel, received tremendous critical acclaim, and it is considered one of the finest works in literature even today. Hesse’s visit to India in 1911 inspired him to delve into the finer details of Eastern religions, and a little over a decade later, Siddhartha (1922) was published. Hermann Hesse received the Goethe Prize of Frankfurt in 1946. In 1955, he received the Peace Prize of the German Booksellers. Steppenwolf and The Glass Bead Game are some of his other seminal works. He died in Montagnola, Switzerland in 1962. Talking Points - This is the ninth novel by Nobel Prize-winning German author Hermann Hesse - Regarded a masterpiece, a cult book in the 1960s - One of the most popular novels set in India and translated into many languages including film adaptations - Explores the quest for enlightenment through the spiritual journey of Siddhartha Worldwide readership/market Students specialising in Buddhist religion and spirituality; philosophers, biographers, readers of classics, literature students, historians, academicians, professors, educational institutes, libraries, film-makers, general trade

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Many works, including Siddhartha (1922) and Steppenwolf (1927), of German-born Swiss writer Hermann Hesse concern the struggle of the individual to find wholeness and meaning in life; he won the Nobel Prize for literature in 1946.Other best-known works of this poet, novelist, and painter include The Glass Bead Game, which, also known as Magister Ludi, explore a search of an individual for spirituality outside society. In his time, Hesse was a popular and influential author in the German-speaking world; worldwide fame only came later. 

HERMANN HESSE