By definition, popular culture, or "pop" culture, requires the masses to be engaged in practising and consuming culture, thereby making it popular.
There are three significant popular-culture markers:
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When the first explorers travelled to distant places, they were influenced by examples of other cultures' popular art, artefacts, and customs, such as drinking coffee.
The masses were seldom the first to experience exotic forms of popular culture. For example, Kabuki Theater was accessible to all classes of Japanese people, but Europe's aristocrats initially regarded it as high art.
In popular arts such as theatre, dance, music, and movies, the masses needed enough time and resources to enjoy these arts.
Technology made it possible. The industrial labourers of the 19th-century had more money, making it possible to enjoy entertainment venues and engage in recreation outside their work lives.
The Western world's first pop culture superstar was probably William Shakespeare. He wrote his theatre plays for a mass audience, fulfilling pop culture's art requirement that could be enjoyed by the masses.
Shakespeare's art bridged the 16th-century gap between popular and fine art. Several of his plays were set elsewhere in Europe, which exposed the common Englishman to wedding and courtship traditions of different classes and cultures.
The sewing machine made new fashions possible for everyone. Technology also aided new kinds of arts and items and made them accessible to everyone, not just the elite.
Radio, television, motion pictures, amplified music, computers, and the Internet changed society and the course of history.
The term "popular culture" - coined in the mid-19th century - refers to the traditional and material culture of a particular society.
In the modern West, pop culture refers to cultural products consumed by most of the society's population such as music, art, literature, fashion, dance, film, cyberculture, television, and radio.
In 1967, Jacques Derrida introduced a new method to philosophy, which he called deconstruction. Put simply, this is the idea that if something is constructed it can be de-constructed.
That applies to objects in the world, such as chairs, cars and houses, but it also applies to the concepts we use, such as truth, justice and God. These ‘things’, which we tend to assume are natural, are in fact culturally constructed.
Importantly, deconstruction is not destruction. The concept or object is still there at the end.
Jackie - his real name - was born in Algeria on 15 July 1930. Some consider him as one of the greatest philosophers of the 20th century.
Part of thinking like Derrida is taking the things we take most for granted, such as our identity and language, and looking for assumptions, contradictions, and absences.