A radio journalist becomes a de facto parent in “C’mon C’mon,” the latest feature from the writer-director Mike Mills. Joaquin Phoenix stars as Johnny, a single man who is tasked with caring for his nephew, Jesse (Woody Norman), while his sister deals with pressing family matters. The childless Johnny is plunged into handling some of the crises, large and small, that come with taking care of a boy. Like, in this scene, what to do when the kid has had too much sugar before bedtime and won’t go to sleep. Mills combines two moments in the sequence: how Johnny handles the moment that night juxtaposed with him recalling the moment in a self-recorded confessional. The sequence includes some topics Jesse brings up that throws Johnny for a loop, like mentioning he heard his mother got an abortion. In an interview, Mills said he wanted to peel back more layers to the relationship between these two as they got to know each other better. And he wanted to capture how to express deeper thoughts to a child. “This thing that often happens to me as a parent,” he said, is “you’re trying to share something intense and compelling with the kid. And you just feel like you’ve failed. You just feel like you did not do a good job of showing up or articulating something. And actually, this young little person has judo-flipped you in like three different ways and you’re just sort of knocked out by the end.” Read the New York Times review: https://nyti.ms/3GgQ0et Subscribe: http://bit.ly/U8Ys7n More from The New York Times Video: http://nytimes.com/video ---------- Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch.

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A radio journalist becomes a de facto parent in “C’mon C’mon,” the latest feature from the writer-director Mike Mills.

Joaquin Phoenix stars as Johnny, a single man who is tasked with caring for his nephew, Jesse (Woody Norman), while his sister deals with pressing family matters. The childless Johnny is plunged into handling some of the crises, large and small, that come with taking care of a boy. Like, in this scene, what to do when the kid has had too much sugar before bedtime and won’t go to sleep.

Mills combines two moments in the sequence: how Johnny handles the moment that night juxtaposed with him recalling the moment in a self-recorded confessional. The sequence includes some topics Jesse brings up that throws Johnny for a loop, like mentioning he heard his mother got an abortion.

In an interview, Mills said he wanted to peel back more layers to the relationship between these two as they got to know each other better. And he wanted to capture how to express deeper thoughts to a child.
“This thing that often happens to me as a parent,” he said, is “you’re trying to share something intense and compelling with the kid. And you just feel like you’ve failed. You just feel like you did not do a good job of showing up or articulating something. And actually, this young little person has judo-flipped you in like three different ways and you’re just sort of knocked out by the end.”

Read the New York Times review: https://nyti.ms/3GgQ0et
Subscribe: http://bit.ly/U8Ys7n
More from The New York Times Video:  http://nytimes.com/video
----------
Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch.

The New York Times is the most powerful engine for independent, boots-on-the-ground and deeply reported journalism. We set the standard for the most ambitious and innovative storytelling across features, news and investigations. Because we’re journalists, we’re excited to report the news as quickly as possible, use new technological resources to uncover the truth, and unearth new cultural phenomenons with our critics. The internet didn’t plant these ideas in our heads. We’ve always been this way.  It's all the news that's fit to watch. On YouTube.

How Joaquin Phoenix Handles Parenting in ‘C’mon C’mon’| Anatomy of a Scene

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