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You'll want it on you at all times, for the desire to sketch a moment can strike at any time. So keep it light.
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You want to be and to capture as much of the scene as you can in the short amount of time you have. Pick the most eye catching thing to you, expand upon there, but don't get caught up in all the small, surrounding details.
Negative or empty space may also be used for annotations and ideas.
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The mind likes to fill in the blank. If there is a repetitive pattern, simply start drawing the pattern, and leave the rest of the area blank. Saves time, and then mind translates the detail by itself.
If an image is symmetrical, simply drawing about half of the object will give them viewer enough information to fill in the rest.
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When sketching very famous landmarks, sometimes focusing on the well-known postcard view can be boring, [...] it’s fun to look for the most unusual view to sketch. Sketch the most extreme angle, such as looking straight up at a statue/building or looking at it from the back side.
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With a travel watercoloring kit, there usually comes
It is advised to use the colors just as they come, straight from the cakes. Use the pallete to gauge color saturation and mix colors on the paper.
As a general watercolor rule, paint light to dark.
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We all make bad sketches, but sometimes a sketch that looks bad in the beginning might surprise you and turn out nice in the end.
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After you've finished your sketch, take a moment and weigh what you did well and what you can do to improve later.
Experiment with different forms of sketching!
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Unplug your ears. No music.
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IDEAS CURATED BY
Aspiring freelance illustrator. I intend to learn by synthesizing what I take in, so that others may learn as well.
CURATOR'S NOTE
For developing artists that need direction on how to draw ideas and memories faster.
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