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In a surprising twist of history, African trumpeter John Blanke found himself a favorite in Tudor England's royal court, performing for none other than King Henry VIII. Blanke, mentioned in surviving records, earned triple the wages of a servant and a pay raise, indicating his valued role as a musician.
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Blanke likely arrived in England via Spain in 1501 with Catherine of Aragon, the future queen. Musical influences often traveled through wedding parties and dowries, making Blanke a striking member of the entourage.
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Long before Blanke's time, African musicians entered Europe through the Iberian Peninsula, documented since the Muslim conquest. Western music's multicultural roots are evident, with influences from Africa shaping song styles and even the evolution of instruments like the lute.
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From Ziryab's music school in 9th-century Córdoba to New Orleans jazz, the migration of instruments, song styles, and even music schools from Africa to Europe was significant. The legacy of Afro-European music may have largely vanished, but traces remain in the works of pioneers like Vicente Lusitano.
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Lusitano, a Portuguese musician of African origins, lived an extraordinary life, serving as a priest in Rome and later residing in Germany as a Protestant. Rediscovered in the 21st century, his music finally entered the classical repertoire 500 years after his birth.
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Western song styles became dominant because they were the most multicultural musical idioms in the world. Remember that the next time people attack this music for its lack of diversity. Nothing could be further from the truth.
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IDEAS CURATED BY
Content Curator | Absurdist | Amateur Gamer | Failed musician | Successful pessimist | Pianist |
CURATOR'S NOTE
Western music has always been multicultural.
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