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Drawing upon experiences from his own prison days, the author recounts in feverish tones the story of Raskolnikov, an impoverished student tormented by his own nihilism, and the struggle between good and evil. Believing that he is above the law, and convinced that humanitarian ends justify vile means, he brutally murders an old woman -- a pawnbroker whom he regards as "stupid, ailing, greedy ... good for nothing." Overwhelmed afterwards by feelings of guilt and terror, Raskolnikov confesses to the crime and goes to prison. There he realizes that happiness and redemption can only be achieved through suffering.

Drawing upon experiences from his own prison days, the author recounts in feverish tones the story of Raskolnikov, an impoverished student tormented by his own nihilism, and the struggle between good and evil. Believing that he is above the law, and convinced that humanitarian ends justify vile means, he brutally murders an old woman -- a pawnbroker whom he regards as "stupid, ailing, greedy ... good for nothing." Overwhelmed afterwards by feelings of guilt and terror, Raskolnikov confesses to the crime and goes to prison. There he realizes that happiness and redemption can only be achieved through suffering.

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Crime and Punishment focuses on the mental anguish and moral dilemmas of Rodion Raskolnikov, an impoverished ex-student in St. Petersburg who formulates and executes a plan to kill an unscrupulous pawnbroker for her cash. Raskolnikov argues that with the pawnbroker's money he can perform good deeds to counterbalance the crime, while ridding the world of a worthless vermin. He also commits this murder to test his own hypothesis that some people are naturally capable of such things, and even have the right to do them. Several times throughout the novel, Raskolnikov justifies his actions by comparing himself with Napoleon Bonaparte, believing that murder is permissible in pursuit of a higher purpose. Dostoyevsky conceived the idea of Crime and Punishment in the summer of 1865, having gambled away much of his fortune, unable to pay his bills or afford proper meals. At the time the author owed large sums of money to creditors, and was trying to help the family of his brother Mikhail, who had died in early 1864. Projected under the title The Drunkards, it was to deal "with the present question of drunkness ... [in] all its ramifications, especially the picture of a family and the bringing up of children in these circumstance, etc., etc." Once Dostoyevsky conceived Raskolnikov and his crime, now inspired by the case of Pierre François Lacenaire, this theme became ancillary, centering on the story of the Marmeladov family.

Fyodor Dostoyevsky

Crime and Punishment

Drawing upon experiences from his own prison days, the author recounts in feverish tones the story of Raskolnikov, an impoverished student tormented by his own nihilism, and the struggle between good and evil. Believing that he is above the law, and convinced that humanitarian ends justify vile means, he brutally murders an old woman -- a pawnbroker whom he regards as "stupid, ailing, greedy ... good for nothing." Overwhelmed afterwards by feelings of guilt and terror, Raskolnikov confesses to the crime and goes to prison. There he realizes that happiness and redemption can only be achieved through suffering.

Mustafa Bayram's Key Ideas from Suç ve ceza
by Fyodor Dostoyevsky

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Mustafa Bayram's ideas are part of this journey:

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Mustafa Bayram's Key Ideas from Suç ve cezaby Fyodor Dostoyevsky

Selamun aleyküm

Uygulama güzelmiş

Mustafa Bayram's ideas are part of this journey:

Related collections

Different Perspectives Curated by Others from Suç ve ceza

Discover Key Ideas from Books on Similar Topics

Mustafa Bayram's Key Ideas from Suç ve ceza
by Fyodor Dostoyevsky