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The classic book on the development of human language by the world’s leading expert on language and the mind. In this classic, the world's expert on language and mind lucidly explains everything you always wanted to know about language: how it works, how children learn it, how it changes, how the brain computes it, and how it evolved. With deft use of examples of humor and wordplay, Steven Pinker weaves our vast knowledge of language into a compelling story: language is a human instinct, wired into our brains by evolution.
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In The Descent of Man, Charles Darwin wrote, “Man has an instinctive tendency to speak, as we see in the babble of our young children; while no child has an instinctive tendency to bake, brew, or write.” The experimental psychologist, Steven Pinker, took this quote as the inspiration for his book on – what he considers – the idea that there exists an innate language instinct to be found across all cultures.
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Elaborating on the canonical linguistic ideas of Noam Chomsky, particularly in regard to Chomsky’s Universal Grammar, Pinker presents the lay reader with numerous examples of how language acquisition, grammatical comprehension, and the tendency to speak, are all aspects of an innate linguistic tendency that human beings share, regardless of cultural background or a specific language.
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Though Pinker generally agrees with Chomsky’s work on Universal Grammar, The Language Instinct focuses primarily on the idea that thoughts create language, a mental process that Pinker refers to as “mentalese”. This theoretical linguistic perspective is diametric to that of the Whorf-Sapir hypothesis, which suggests that language determines thought, and that the particular culture one belongs to is unique, in turn greatly affecting the way that a person communicates, utilizes language, and ultimately, perceives the world around them.
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In Chapter one, entitled “An Instinct to Acquire an Art”, Pinker covers the two opposing linguistic schools, and talks about Chomsky and his research on Universal grammar. Pinker begins his polemic on Whorfian claims about language coloring in human perspective by discussing Chomsky’s skepticism, concerning not merely the Whorf-Sapir hypothesis, but the “Standard Social Science Model” (SSCM) in general.
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Pinker, siding with Chomsky, feels that, not only is the Whorf-Sapir hypothesis wrong, but the basic intellectual stance that “the human psyche is molded by the surrounding culture”, is a dramatic misconception. However, Pinker will part ways with Chomsky, ideologically. Though they both feel that grammar is a discrete combinatorial system; and is also a soundly structured tool with words and rules that human beings have an innate tendency to acquire, Chomsky is apprehensive about whether or not this language instinct, or gene, is part of the process of evolutionary adaptation.
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Pinker feels that the language instinct is similar to the human eye in that it has the appearance of design. In other words, the eye, for human beings, is a tool engineered with a very specific purpose. It has the appearance of design, and elements of an engineered tool, just like a camera, or an engine. The significant point that Pinker does take from Chomsky’s work is his claim that “the same symbol-manipulating machinery, without exception, underlies the world’s languages.”
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A chapter by chapter synopsis of a book of such layered complexity would become tedious after chapter 5. Everything from Broca’s Aphasia (which can cause language impairment), to x-bar theory (a theoretical version of phrase structure proposed by Chomsky that compares common grammatical rules and structures across different languages), artificial intelligence, prescriptive vs. descriptive grammar, and language organs and grammar genes, is covered in this erudite defense of Universal Grammar.
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These examples are useful to Pinker because they assist him in elucidating his rational stance on a language of thought. Logic-heavy gems such as, “And if there can be two thoughts corresponding to one word, thoughts can’t be words”, are peppered throughout the book. When he talks about x-bar theory, he explains how, “A part of speech, then, is not a kind of meaning: it is a kind of token that obeys certain formal rules, like a chess piece or a poker chip.” Pinker’s strongest arguments for a Universal Grammar or a language of thought, primarily concern phrase structure within sentences.
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Chomsky laid much of the ground on syntactic structures in his linguistic work in the 1960’s. But Pinker sees grammar as a technical aspect of language that “offers a clear refutation of the empiricist doctrine that there is nothing in the mind that was not first in the senses.” So, again, the book is covering a lot of linguistic ground concerning academic debates about what language essentially is, but for Pinker, an unabashed devotee of Darwin, The Language Instinct is also about how language is an innate tendency that undergoes evolutionary adaptive processes.
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He disagrees with the Whorfians and cultural relativists in the sense that he sees grammatical comprehension and language acquisition as innate tendencies. It’s not that he disagrees with the claim that culture can occasionally influence how people speak, or the way a language sounds. Pinker simply believes that there is a common capacity for speech and language utilization across all cultures, and it’s not that different.
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Again, he refers to the apparent design of language toward the end of chapter 10, entitled “Language Organs and Grammar Genes”, when he reflects, “I would expect the basic design of language, from x-bar syntax to phonological rules and vocabulary structure to be uniform across the species; how else could children learn to talk and adults understand one another.” In the academic arena of linguistics, this debate between people arguing that language is an innate instinct and those that feel that language influences thought is slightly less prominent than it was in the past.
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In example, one of the strongest claims supporting the Whorf-Sapir hypothesis is that the speakers of the Piraha tribe of South America were incapable of using recursion (inserting embedded clauses within sentences ad infinitum) in their language. In 2004, Peter Gordon conducted an experiment consisting of various counting exercises in order to determine whether or not the Piraha were capable of counting exact cardinalities. He concluded that the Piraha had numbers for one, few, and many, but were incapable of remembering large exact numbers.
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Gordon’s experimental design was relatively crude, and he merely concluded that the Piraha couldn’t count that well under the conditions of the experiment. Since then, the linguist Andrew Nevins, along with his colleagues concluded that Piraha does allow for some recursive embedding using verb suffixes and conversions of nouns to verbs. It is also possible to conjoin propositions within a sentence, such as “We ate a lot of the fish, but there was some fish that we did not eat."
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The debunking of linguistic myths such as the apparent absence of recursion in the Piraha language, are concrete proof that Pinker is on to something profound when he suggests an underlying linguistic design in human nature. One might argue that, throughout The Language Instinct, Pinker attempts to insert too many anecdotes from technical linguistics as well as from popular culture. The Language Instinct was one of Pinker’s first popular science books.
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This onslaught of information is understandable as he is a trained experimental psychologist trying to make technical linguistic explanations understandable to a lay audience. He does so with flying colors. There is also his Darwinist bent, along with the genetic approach to language research, which many traditional linguists (especially academic Whorfians, clearly) might find a little too reductionist. What stands out in this wonderfully informative book is Pinker’s basic, non-threatening theoretical stance that language is part of an adaptive process in nature.
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There may be notable superficial distinctions across different languages, but the basic structure of language and its apparent design is something that is utilized across all cultures, regardless of location, history, or linguistic origin. For Pinker, culture is not to be devalued or overlooked, but when lost in the cacophonous babel of world languages he opines, “I imagine seeing through the rhythms to the structures underneath, and sense that we all have the same minds.”
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