But did we know that Ray thought of the English ghosts in the image of Robert Clive, Charles Cornwallis, and Warren Hastings? You can linger on the details of the individual images of each ghost, Ray’s notes about their outfits, and the kinds of dances assigned to each. It is almost a truism that Ray was detail oriented. The true extent of his eye for detail, however, comes out with startling clarity when we see in the kheror khata that he even noted the dimensions of a pillar that would be erected for the set of the Shundi raja’s court during a competition in which Goopy and Bagha perform .
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A digitisation project reveals Satyajit Ray’s brilliant illustrations for ‘Goopy Gyne Bagha Byne’
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I owe my originality to a technical clusterfuck of emotions driven by angst and my dad's radio.
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