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That feeling—not the out-of-time displacement of hope, so much, or the rush of anticipation, but the embodied understanding that things are about to change—suffuses this collaboration between violinist Chris Jusell, guitarist Chaz Prymek, percussionist and keyboardist Matthew Sage, and saxophonist Patrick Shiroishi. All four are prolific composers who have hooked up in various configurations in the past, often playing challenging takes on jazz and ambient music.
For Fuubutsushi (風物詩), which was recorded remotely with each musician in a different U.S. state, they piece together soothing bits of jazz, ambient, folk, and classical minimalism with the ease and grace of a group of pals working on a jigsaw puzzle over warm cider. Listening to it can feel a little like relaxing in the home you imagine as you unpack your belongings in a new apartment: Everything is expertly placed and arranged with care.
The Japanese word “fuubutsushi” refers to this gap, capturing the feeling of longing for a new season at the first signs of its emergence. After months of life looking like one thing, fuubutsushi marks the moment when you believe it may begin to look like something else.
On violin, guitar, saxophone, percussion, and keys, the quartet pieces together a carefully arranged mixture of jazz, ambient, folk, and classical minimalism.
Seasons change in the mind and the body before they change in the world. Anyone who has felt spring bloom in their hearts on the first false day of sunshine, or been transported to autumns past by the crunch of a stray brown leaf on a late-summer afternoon, knows that climatological reality is not always in sync with our perception of how things should be.
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