Or instead, the images might only be organisational placeholders, where a tree representing a text or topic (say, ‘Natural Law’) could have eight branches and eight fruits on each branch, representing 64 different ideas clustered into eight larger concepts. The point wasn’t to paint these pictures on parchment. It was to give the mind something to draw, to indulge its appetite for aesthetically interesting forms while sorting its ideas into some logical structure. I teach medieval cognitive techniques to college freshmen, and this last one is by far their favourite.
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Nuns, monks, preachers and the people they educated were to visualize the material they were processing. A branchy tree or a finely feathered angel. The images might loosely correspond to the substance of an idea.
The point was to give the mind something to draw, to indulge its appetite ...
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