As thoroughly modern as it may appear, the drive to make a name for ourselves — to say something original and timely yet thoughtful and profound — is not just a contemporary predicament. In 1852, English theologian John Henry Newman condemned the “viewiness” required of public writers. He complained of the journalists whose intellects were “flaunted daily before the public in full dress, and that dress ever new and varied, and spun, like the silkworm’s, out of themselves.” No one who writes for a public audience today can help but feel culpable when reading these lines.
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“[T]hese,” John Stuart Mill declared in 1836, “are the inevitable fruits of immense competition; of a state of society where any voice, not pitched in an exaggerated key, is lost in the hubbub.” Success “in so crowded a field, depends not upon what a person is, but upon what he seems.” Who are we when we write? And, are we saying something or just screaming?
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