"All great deeds and all great thoughts have a ridiculous beginning. Great works are often born on a street corner or in a restaurant's revolving door. So it is with absurdity. The absurd world more than other derives its nobility from the abject birth."

"There is scarcely any passion without struggle."

We get into the habit of living before acquiring the habit of thinking."

"Likewise and during every day of an unillustrious life, time carries us. But a moment always comes when we have to carry it."

"Everything considered, a determined soul will always manage."

"In reality there is no experience of death. Properly speaking, nothing has been experienced but what has been lived and made conscious."

"It is always easy to be logical. It is almost impossible to be logical to the bitter end."

"Thinking is learning all over again how to see, directing one's consciousness, making of every image a privileged place."

"For conscience moves swiftly or withdraws within itself. It has to be caught on the wing, at that barely perceptible moment when it glances fleetingly at itself."

"The mind's first step is to distinguish what is true from what is false. However, as soon as thought reflects on itself, what it first discovers is a contradiction."

"A single truth, if it is obvious, is enough to guide an existence."

"The Myth of Sisyphus" by Albert Camus is a fascinating read. Camus is a hardcore existentialist (which I'm not particularly in agreement with) but his ideas remain monumental to the mind. These are a collection of quotes I gathered while reading the book.

NOBEL PRIZE WINNER • An internationally acclaimed author delivers one of the most influential works of the twentieth century, showing a way out of despair and reaffirming the value of existence. Influenced by works such as Don Juan and the novels of Kafka, these essays begin with a meditation on suicide—the question of living or not living in a universe devoid of order or meaning. With lyric eloquence, Albert Camus brilliantly presents a crucial exposition of existentialist thought.

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A Nobel Prize-winning author delivers one of the most influential works of the twentieth century, showing a way out of despair and reaffirming the value of existence. Influenced by works such as Don Juan and the novels of Kafka, these essays begin with a meditation on suicide—the question of living or not living in a universe devoid of order or meaning. With lyric eloquence, Albert Camus brilliantly presents a crucial exposition of existentialist thought.

Albert Camus (1913-1960) was a representative of non-metropolitan French literature. His origin in Algeria and his experiences there in the thirties were dominating influences in his thought and work. Of semi-proletarian parents, early attached to intellectual circles of strongly revolutionary tendencies, with a deep interest in philosophy (only chance prevented him from pursuing a university career in that field), he came to France at the age of twenty-five. The man and the times met: Camus joined the resistance movement during the occupation and after the liberation was a columnist for the newspaper Combat. But his journalistic activities had been chiefly a response to the demands of the time; in 1947 Camus retired from political journali

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