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This lonely hill was always dear to me,
and this hedgerow, which cuts off the view
of so much of the last horizon.
But sitting here and gazing, I can see
beyond, in my mind’s eye, unending spaces,
and superhuman silences, and depthless calm,
till what I feel is almost fear. And when I hear
the wind stir in these branches, I begin
comparing that endless stillness with this noise;
and the eternal comes to mind,
and the dead seasons, and the present
living one, and how it sounds.
So my mind sinks in this immensity:
and foundering is sweet in such a sea.
(L'Infinito) transl. by Jonathan Galassi)
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Italian scholar, poet, essayist, and philosopher, one of the great writers of the 19th century. Leopardi was in touch with the main ideas of the Enlightenment movement. His literary evolution turned him into one of the well-known Romantic poets. In his late years, when he lived in an ambiguous relationship with his friend Antonio Ranieri on the slopes of Vesuvius, Leopardi meditated upon the possibility of the total destruction of humankind. Leopardi shared with German philosopher Arthur Schopenhauer a similarly pessimistic view of life.
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The poems collected in "Canti" are Leopardi's best-loved work, and in the eyes of many make him the greatest Italian poet after Dante. He also published the "Operette Morali", a collection of philosophical dialogues and essays that is considered one of the fundamental books in Italian literature, as well as numerous translations, critical editions, and other texts. His prodigious, immense "Zibaldone", or notebook of literary and philosophical speculations, remained unpublished until the beginning of 20th century.
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Leopardi's poetry is notoriously difficult to translate, and he has been less well known to English language readers than his central significance for his own culture might suggest. Now Jonathan Galassi ha produced a strong, ftrsh, direct version of this great poet that offers English language readers a new approach to Leopardi. Galassi has contributed an informative introduction and notes that provide a sense of the Poet's sources and ideas. This is an essential book for anyone who wants to understand the roots of modern lyric poetry.
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Now you’ll rest forever
my weary heart. The last illusion has died
I thought eternal. Died. I feel, in truth,
not only hope, but desire
for dear illusion has vanished.
Rest forever. You’ve laboured
enough. Not a single thing is worth
your beating: the earth’s nworthy
of your sighs. Bitter and tedious,
life is, nothing more: and the world is mud.
Be silent now. Despair
for the last time. To our race Fate
gave only death. Now scorn Nature,
that brute force
that secretly governs the common hurt,
and the infinite emptiness of all.
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