Over the following decades, zombies appeared in many American films, usually with loose references to Haitian culture, though some veered off to involve aliens and Nazis. Then came the wildly influential 1968 film “Night of the Living Dead,” in which a group of strangers tries to survive an onslaught of slow-moving, flesh-eating monsters. The film’s director remarked that he never envisioned his living dead as zombies. Instead, it was the audience who recognized them as such.
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On voodoo and zombies, or on the effects of perspective distortion and/or false representation: how Vodou went from diasporic religion to sensationalized pop-culture caricature and how zombis went from victims to monsters.
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