As Zoe Dubno has written in The Spectator: ‘For critics, these individuals [sensitivity readers] are the latest stage of the culture wars: woke-ifying new books before readers even have the chance to read them. For publishers they offer a seductively cheap way of reducing the risk of a book or its author being cancelled and the ensuing reputational and profit damage to the firm… Often it seems less like a check on upsetting and harmful language than a safeguard against white, middle-class authors and publishers needing to change their social circles, ideologies or publishing staff in any way.’
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