Early and late bloomers - Deepstash

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Early and late bloomers

Prodigies like Picasso, who created a masterpiece at age twenty, tend to be "conceptual" in the sense that they start with a clear idea of where they want to go, and then accomplish it. Picasso once said that he could hardly understand the importance given to the word 'research.'

But late bloomers tend to work the other way around. Their goals are imprecise and their procedure experimental. They build their skills gradually throughout their careers, improving slowly over long periods.

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Genius is tied up with precocity. We think brilliance requires youth and energy and freshness. Mozart wrote his breakthrough Piano Concerto No. 9 in E-Flat-Major at the age of twenty-one. T.S. Eliot wrote "The Love Song of J.Alfred Prufrock" at the age of twenty-three

Experimental artists are perfectionists and are typically plagued by frustration in their inability to reach their goal. Their creativity proceeds through trial and error and takes a long time to come to fruition.

Prodigies have it easier. Their genius gets noticed from the start.

Late bloomers don't realize they're good at something until they're about fifty. It's not that they start late; It's that they simply aren't much good until late in their careers.

The success of the late bloomer is highly dependent on the efforts of others.

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