Grover Krantz, a professor of physical anthropology at Washington State University also believed in Sasquatch. He was ridiculed for his conviction.
During and after his death, the search for Bigfoot took on a life of its own. More sightings, films, and books emerged. Documentaries captured the public's imagination. However, there is a lack of evidence. Without a body (or skeleton), it's hard to convince others.
Few people have had the social impact Bruce Lee did. Just about everyone knows who he was and what he did, but there are many aspects of his life that the public never got to see. Such as ... Ask anyone about Bruce Lee and they will undoubtedly point out that he was a master martial artist.
This year's Oscar nominees for Best Picture tend to emphasize the worst in humanity. For example, Joker is about the descent into homicidal madness. Jojo Rabbit is about one of the worst events in human history, the Nazi Holocaust. 1917 is about another catastrophe, World War One.
Social connection makes hope possible. This is the message in the film based on the life of 13-year-old William Kamkwamba. The story plays off in Malawi during a famine caused by a series of natural disasters.
William's family cannot afford for him to continue with school, and William is forbidden to return. But William sneaks back into school and gets permission to continue using the school's library. He develops strong ties with his science teacher, librarian, family, friends, and fellow villagers.
He ultimately discovers how wind energy can bring water to his village and save them from perishing.
The Farewell is about a first-generation Chinese immigrant, Billi. She wants to visit her dying grandmother, Nai-Nai, in China, to say goodbye.
Nai-Nai is unaware of the seriousness of her illness while the family believes it is kinder to keep her illness a secret and make her happy. Conflict ensues as Billi wants to tell Nai-Nai the truth. This is a tale of how people express love differently and the quiet wisdom and positive outlook of Nai-Nai.
The word ‘Zombie’ is derived from West African languages, with the Mitsogo language of Gabon describing them as ‘ndzumbi’, which means a corpse, to the Kongo language using the word ‘nzambi’ meaning the spirit of a dead person.
Pop culture and folklore from the Caribbean and Haiti seem to be the birthplaces for the concept of zombies that the American audiences crave so much.
The Caribbean and its surrounding areas carried a large number of slaves, transporting them across the Atlantic, for making them work in farming. This created a mix of religions and infused many different traditions and practices like Catholicism, voodoo, Obeah and Santeria.
Certain ‘bokors’ or witch-doctors in Martinique and Haiti created magic potions and used hypnotic spells to render victims dead, and then enslave or capture them, making them their personal slaves, The zombie, thus became a slave without any will or name, trapped forever in a living hell.
The French Colony (later Haiti) where slaves were especially big in number and suffered the worst, witnessed a rebellion, and the rulers were overthrown in 1791. In 1915, when The US occupied Haiti, the native religion of Voodoo was spread even more. Stories of the vengeful dead coming out of the grave and chasing people became popular in pulp magazines of the 20s and 30s.