To create suspense, set up a <a href="https://thewritepractice.com/the-dramatic-question-and-suspense-in-fiction/">dramatic question </a>. A dramatic question is something like, “Is he going to make it?” or, “Is she going to get the man of her dreams?” By putting your protagonist’s fate in doubt, you make the reader ask, What happens next?

3. Create suspense and drama

The best way to defeat writers block is to write. If you’re stuck, don’t try to write well. Don’t try to be perfect. <a href="https://thewritepractice.com/write-now/">Just write </a>.Sometimes, to <a href="https://thewritepractice.com/how-to-write-better/">write better </a>stories, you have to start by taking the pressure off and just writing.

9. Defeat Writer’s Block

You write better when you know someone will soon be reading what you’ve written. If you write in the dark, no one will know if you aren’t giving your writing everything you have. But when you <a href="https://thewritepractice.com/writingcontests/">share your writing </a>, you face the possibility of failure. This will force you to write the best story you possibly can.

10. Share your work

Most professional writers <a href="http://positivewriter.com/how-to-edit-your-book-until-its-finished/">write three drafts </a>or more. The first draft is often called the “vomit draft” or the “shitty first draft.” Don’t share it with anyone! Your <a href="https://thewritepractice.com/how-fast/">first draft </a>is your chance to explore your story and figure out what it’s about.Your second draft isn’t for polishing, although many new writers will try to polish as soon as they can to clean up their embarrassing first draft. Instead, the second draft is meant for major structural changes and for clarifying the plot and characters of your novel or the key ideas of your non-fiction book.The third draft is for deep polishing.

7. Edit Like a Pro

When something interesting happens in your story that changes the fate of your character, don’t tell us about it. <a href="https://thewritepractice.com/how-to-show-not-tell-paranoia-hope-and-other-moods/">Show the scene </a>! Your readers have a right to see the best parts of the story play out in front of them. Show the interesting parts of your story, and tell the rest.

4. Show don't tell

Stories are about protagonists, and if you don’t have a good <a href="https://thewritepractice.com/protagonist/">protagonist </a>, you won’t have a good story. The essential ingredient for every protagonist is that they must make decisions. Victor Frankl said, “A human being is a deciding being.” Your protagonist must make a decision to get herself into whatever mess she gets into in your story, and likewise, she must <a href="https://thewritepractice.com/literary-crisis/">come to a crisis point and decide </a>to get herself out of the mess.To further develop your protagonist, use other character archetypes like <a href="https://thewritepractice.com/how-to-create-better-villains/">the villain </a>, the protagonist’s opposite, or <a href="https://thewritepractice.com/the-fool-2/">the fool </a>

2. Develop Your Protagonist

Good writers know all the rules and follow them. Great writers <a href="https://thewritepractice.com/cs-lewis-language/">know all the rules and break them </a>. However, the best writers don’t break the rules arbitrarily. They break them because their stories require a whole new set of rules. Respect the rules, but remember that you don’t serve the rules. You serve your stories.

8. Know the Rules, Then Break Them

<a href="https://thewritepractice.com/16-observations-about-real-dialogue/">Good dialogue </a>comes from two things: intimate knowledge of your characters and lots of rewriting.Each character must have a unique voice, and to make sure your characters all sound different, read each character’s dialogue and ask yourself, “Does this sound like my character?” If your answer is no, then you have some rewriting to do.Also, with your <a href="https://thewritepractice.com/a-critical-dont-for-writing-dialogue/">speaker tags </a>, try not to use anything but “he said” and “she said.” Speaker tags like “he exclaimed,” “she announced,” and “he spoke vehemently” are distracting and unnecessary. The occasional “he asked” is fine, though.

5. Write Good Dialogue

Think about the last five novels you read. In how many of them did a character die? Good stories often involve death. Harry Potter ,The Hunger Games ,Charlotte’s Web , The Lord of the Rings , and more all had main characters who died. Death is the universal theme because every person who lives will one day die. Tap the power of <a href="https://thewritepractice.com/want-to-get-published-write-about-death/">death in your storytelling </a>.

6. Write About Death

Write the <a href="https://thewritepractice.com/how-fast/">first draft of your story </a> in as short a time as possible. If you’re writing a short story, try to write it in one sitting. If you’re writing a novel, try to write it in one season (three months).Don’t worry too much about plotting or outlining beforehand. You can do that once you know you have a story to tell in the first place. Your first draft is a discovery process. You are like an archeologist digging an ancient city out of the clay. You might have a few clues about where your city is buried beforehand, but you don’t know what it will look like until it’s unearthed.

1. Write in one sitting 

Writing good stories can be hard! In this article, learn ten secrets about how to write a story, and more importantly, how to write a story that's good.

1. Write in one sitting

Similar ideas to 1. Write in one sitting

Write Now, Edit Later