Our experience of flowers is so deeply drenched in our sense of time. Maybe there’s a good reason we find their fleetingness so piercing, can scarcely look at a flower in bloom without thinking ahead, whether in hope or regret. We might share with certain insects a tropism inclining us toward flowers, but presumably, insects can look at a blossom without entertaining thoughts of the past and future — complicated human thoughts that may once have been anything but idle. Flowers have always had important things to teach us about time.

Time, of course, is itself a creature of paradoxes — at once the relentless forward momentum of our mortality and the greatest antidote to the anxiety of aliveness. When you realize you are mortal you also realize the tremendousness of the future. You fall in love with a Time you will never perceive.

It may be that flowers betoken precisely this elemental duality and through it cast their enchantment upon us. After contouring their astonishing evolutionary history — so astonishing that the baffled Darwin called it “an abominable mystery”

Look into a flower, and what do you see? Into the very heart of nature’s double nature — that is, the contending energies of creation and dissolution, the spiring toward complex form and the tidal pull away from it. There, the achievement of order against all odds and its blithe abandonment. There, the perfection of art and the blind flux of nature. There, somehow, both transcendence and necessity. Could that be it — right there, in a flower — the meaning of life?

Meaning, of course, is just what we make of life — what we make of our mortality as an inevitability of the universe that made us. “It is the time you have wasted for your rose that makes your rose so important,” the fox says to the Little Price. “All the stars are a-bloom with flowers,” the Little Prince says to the pilot before he returns to that fathomless region of spacetime from which he had visited.