The Filipinos' preference for a sense of community is evident in their Filipino music
While classical Western music follows the 7-note diatonic scale ("do re mi"),traditional Filipino music has "no isolated notes," (de Leon).Its "bridged by slides/a microtonal continuum"
A Western singer could jump from "mi" to "fa" in 1 step--a jump too big for a traditional Filipino singer. They would instead sing every note that lies between "mi" and "fa"--notes Westerners didn't even know existed resulting to the hagod style of singing,in which the singer seems to caress every note.
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Jack of all people-related trades, master of none. Majored in Psychology, Customer Service Assoc for a few Years, HR Officer for 4, Manager and ESL Teacher for over 11 yrs now, an artist since birth.
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