The Filipinos' preference for a sense of community is evident in their Filipino music 

While classical Western music follows the 7-note diatonic scale ("do re mi"),traditional Filipino music has "no isolated notes," (de Leon).Its "bridged by slides/a microtonal continuum"

A Western singer could jump from "mi" to "fa" in 1 step--a jump too big for a traditional Filipino singer. They would instead sing every note that lies between "mi" and "fa"--notes Westerners didn't even know existed resulting to the hagod style of singing,in which the singer seems to caress every note.