How fiction ruined love
Emma Bovary in Madame Bovary (1856) spent her childhood immersed in Romantic fiction. As a result, she’s expecting that her husband will be someone who understands her soul perfectly.
When she does get married to the kind, thoughtful but human. But she is quickly bored by the routines of married life. She is convinced that her life has gone profoundly wrong for one central reason: because it’s so different from what the novels she knows told her it would be.
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The differences in how people have loved throughout history suggest that our style of loving is to a significant extent determined by what the prevailing environment dictates.
It is through novels, poems, songs and, latterly, films that we have acquired our misleading ideas about love.
... are crucial elements of wisdom, realism and maturity. Our love stories excite us to expect things of love that are neither very possible nor very practical.
We learn to judge ourselves by the hopes and expectations fostered by a misleading artistic medium.
Our art is full of omissions. For example, in so many romantic stories, the whole business of work is rarely viewed as relevant to the enduring of a relationship. Yet, in reality, part of the rationale of any relationship is to enable two people to function as a stable joint economic unit for the education of the next generation.
Romanticism and capitalism are the two dominant ideas of our time, guiding the way we think and feel about the two things that usually matter most in our lives: relationships and work.
The impressive philosophy of romantic love in art ( with focus on intimacy and openness and spending carefree days together) matches poorly with the requirements of working routines that fill our heads with complex demands, keep us away from home for long stretches and render us insecure about our positions in a competitive environment.
Until our art changes radically, we won’t go into relationships ready to perceive domestic issues as important potential flashpoints to look out for and pay attention to.
We need to tell ourselves more accurate stories about the progress of relationships, stories that normalise troubles and show us an intelligent, helpful path through them.
SIMILAR ARTICLES & IDEAS:
For most of recorded history, people got married for logical pragmatic sorts of reasons.
Since around 1750, we have been living in an era in the history of love that we can call Romanticism w...
It's normative points include:
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Romanticism emerged as an ideology in Europe in the mid-18th century in the minds of poets, artists and philosophers, and it has now conquered the world.
It has permeated our culture wi...
It tells us that marriage can have all the excitement of a love affair and the feelings of love should prevail over a life-time.
... that true love end loneliness. It promised that the right partner would understand us fully without words.
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As kids, playing was described as fun while work was pretty much defined as not-fun. In school, it was implied that work was monotonous because it was in preparation for grownup work. Grownups a...
Keep in mind this question: How much are you supposed to enjoy what you do? If you underestimate your answer, you'll tend to stop searching too early.
Liking your work does not mean doing what makes you happiest in this second, but what will make you most satisfied over a more extended period, like a week or a month. Your work should be your favorite thing to do. It should be something you admire.
A test of whether you love what you do is if you would do it even if you weren't paid for it. (Even if you had to work at another job to make a living.)
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