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The differences in how people have loved throughout history suggest that our style of loving is to a significant extent determined by what the prevailing environment dictates.
It is through novels, poems, songs and, latterly, films that we have acquired our misleading ideas about love.
... are crucial elements of wisdom, realism and maturity. Our love stories excite us to expect things of love that are neither very possible nor very practical.
We learn to judge ourselves by the hopes and expectations fostered by a misleading artistic medium.
Emma Bovary in Madame Bovary (1856) spent her childhood immersed in Romantic fiction. As a result, she’s expecting that her husband will be someone who understands her soul perfectly.
When she does get married to the kind, thoughtful but human. But she is quickly bored by the routines of married life. She is convinced that her life has gone profoundly wrong for one central reason: because it’s so different from what the novels she knows told her it would be.
Our art is full of omissions. For example, in so many romantic stories, the whole business of work is rarely viewed as relevant to the enduring of a relationship. Yet, in reality, part of the rationale of any relationship is to enable two people to function as a stable joint economic unit for the education of the next generation.
Romanticism and capitalism are the two dominant ideas of our time, guiding the way we think and feel about the two things that usually matter most in our lives: relationships and work.
The impressive philosophy of romantic love in art ( with focus on intimacy and openness and spending carefree days together) matches poorly with the requirements of working routines that fill our heads with complex demands, keep us away from home for long stretches and render us insecure about our positions in a competitive environment.
We need to tell ourselves more accurate stories about the progress of relationships, stories that normalise troubles and show us an intelligent, helpful path through them.
SIMILAR ARTICLES & IDEAS:
For most of recorded history, people got married for logical pragmatic sorts of reasons.
Since around 1750, we have been living in an era in the history of love that we can call Romanticism w...
It's normative points include:
As kids, playing was described as fun while work was pretty much defined as not-fun. In school, it was implied that work was monotonous because it was in preparation for grownup work. Grownups a...
Keep in mind this question: How much are you supposed to enjoy what you do? If you underestimate your answer, you'll tend to stop searching too early.
Liking your work does not mean doing what makes you happiest in this second, but what will make you most satisfied over a more extended period, like a week or a month. Your work should be your favorite thing to do. It should be something you admire.
A test of whether you love what you do is if you would do it even if you weren't paid for it. (Even if you had to work at another job to make a living.)
Is any relationship between people who don’t support each other, where there’s conflict and one seeks to undermine the other, where there is competition and there is disrespect....
People who consistently undermine or cause harm to a partner (whether intentionally or not) often have a reason for their behavior, even if it’s subconscious.
Maybe they were in a toxic relationship, either romantically or as a child. Maybe they didn’t have the most supportive, loving upbringing. They could have been bullied in school. They could be suffering from an undiagnosed mental health disorder.
The most serious warning signs include any form of violence, abuse or harassment, which should be dealt with immediately. But in many cases, the indicators of a toxic relationship are much more subtle: Persistent unhappiness, negative shifts in your mental health, personality or self-esteem, feeling like you can’t talk with or voice concerns to your significant other.