Zombies, a staple of pop culture horror, first started appearing in novels and pulp magazines in the 20s, finally debuting on celluloid in 1932 with the movie White Zombie, though many attribute their mainstream popularity to the 1968 adaptation of the Richard Matheson novel 'I Am Legend', called The Night Of The Living Dead.
The word ‘Zombie’ is derived from West African languages, with the Mitsogo language of Gabon describing them as ‘ndzumbi’, which means a corpse, to the Kongo language using the word ‘nzambi’ meaning the spirit of a dead person.
Pop culture and folklore from the Caribbean and Haiti seem to be the birthplaces for the concept of zombies that the American audiences crave so much.
The earliest writers of zombie tales like the novelist Zora Neale Hurston and occultist William Seabrook claim to have seen actual zombies and do not consider it a primitive superstition or folklore.
They believe that zombies actually exist and have documented many experiences and findings.
If we realized and came to grips with the impermanence of all things, it would make no sense to become attached to them.
Ignorance of the impermanence of all things, especially our own life, leads to craving happiness through things that will all come to an end. Thus, we are like zombies stumbling mindlessly through life, denying our mortality, striving for fulfillment, finding what we achieve unsatisfying, and seeking more.
... might be described as federalist in spirit. The aim seems to be to reduce the size of government radically and thereby to bring it closer to the people. Cut back to regional or local units, government becomes manageable again and ordinary people get to participate in it actively, recovering a say in the decisions that affect their lives.
In some cases, people lose something valuable but later on discovers that the apocalypse has some advantages: being closer with the family, more personal health care, etc.
The existence of consciousness is a further, nonphysical fact about our world.