The technique of Kintsugi accentuates the so-called defects, making them the pottery’s most stunning and visually salient aspect. The approach celebrates each artifact by emphasizing and appreciating its imperfection.
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“Nothing lasts, nothing is finished, nothing is perfect.” There’s a certain levity that comes from things going slightly wrong. Or, put another way, there’s a particular value that comes with imperfection, impermanence and incompleteness: 侘寂
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