The most classic example of wabi-sabi is kintsugi, the centuries-old Japanese art of repairing tea bowls. Typically, gluing the pieces of broken pottery back together again means using an invisible adhesive and then painting over the cracks to make them look new again. Kintsugi takes the opposite approach. Instead of trying to hide the imperfection, it highlights it. The craft uses a gold lacquer adhesive to adhere the broken pieces together.

The technique of Kintsugi accentuates the so-called defects, making them the pottery’s most stunning and visually salient aspect. The approach celebrates each artifact by emphasizing and appreciating its imperfection.

One of the critical characteristics of the wabi-sabi aesthetic is an appreciation of nature and, more generally, for the natural beauty that exists outside of deliberate, human creation. Humans naturally impose their standards of value and perfection on the world and, in doing so, meddle with a natural organization of beauty best left alone.

Wabi-sabi creations often result from a flow of naturally occurring elements, as opposed to manipulating the raw materials to the artist's will. Thus, the artist is seen as a conduit, not an independent creator.

In any discipline, “perfect” is the ultimate achievement. From getting the perfect score on a test to planning the perfect evening for a significant other, rising to the level of complete optimization is highly motivating.

Clearly, though, it comes with challenges. That these ideals are rarely achieved is not the issue. The true difficulty comes when it is achieved. Its attainment comes with the immediate pressure to maintain it. Anything that rises to this lofty, unblemished position, almost by definition, has nowhere to go but down.

The concept of wabi-sabi provides an alternative perspective that comes some way in helping grapple with this. It recognizes that everything is in constant flux. Any attainment of static perfection is artificial, and its pursuit will inevitably lead to dissatisfaction. Instead, an acceptance, and even a celebration, of imperfection can liberate us from this self-imposed strain.