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“Immature poets imitate; mature poets steal; bad poets deface what they take, and good poets make it into something better, or at least something different. The good poet welds his theft into a whole of feeling which is unique, utterly different from that from which it was torn.”
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26 reads
It’s one of the theories that when people give you advice, they’re really just talking to themselves in the past.
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28 reads
How does an artist look at the world? First, you figure out what’s worth stealing, then you move on to the next thing. That’s about all there is to it. When you look at the world this way, you stop worrying about what’s “good” and what’s “bad”—there’s only stuff worth stealing, and stuff that’s not worth stealing. Everything is up for grabs. If you don’t find something worth stealing today, you might find it worth stealing tomorrow or a month or a year from now
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20 reads
Every artist gets asked the question,
“Where do you get your ideas?”
The honest artist answers,
“I steal them.”
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21 reads
The writer Jonathan Lethem has said that when people call something “original,” nine out of ten times they just don’t know the references or the original sources involved.
What a good artist understands is that nothing comes from nowhere. All creative work builds on what came before. Nothing is completely original.
It’s right there in the Bible: “There is nothing new under the sun.” (Ecclesiastes 1:9)
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16 reads
Every new idea is just a mashup or a remix of one or more previous ideas
Here’s a trick they teach you in art school. Draw two parallel lines on a piece of paper:
_______________________________________________________
_______________________________________________________
How many lines are there?
There’s the first line, the second line, but then there’s a line of negative space that runs between them.
See it? 1 + 1 = 3.
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11 reads
“We were kids without fathers . . . so we found our fathers on wax and on the streets and in history. We got to pick and choose the ancestors who would inspire the world we were going to make for ourselves.”
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14 reads
The artist is a collector. Not a hoarder, mind you, there’s a difference: Hoarders collect indiscriminately, artists collect selectively. They only collect things that they really love.
There’s an economic theory out there that if you take the incomes of your five closest friends and average them, the resulting number will be pretty close to your own income.
Your job is to collect good ideas. The more good ideas you collect, the more you can choose from to be influenced by.
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10 reads
“Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic.”
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12 reads
Marcel Duchamp said, “I don’t believe in art. I believe in artists.” This is actually a pretty good method for studying—if you try to devour the history of your discipline all at once, you’ll choke.
chew on one thinker—writer, artist, actirole model—you really love. Study everything there is to know about that thinker. Then find three people that thinker loved, and find out everything about them. Repeat this as many times as you can. Climb up the tree as far as you can go. Once you build your tree, it’s time to start your own branch.
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9 reads
School is one thing. Education is another. The two don’t always overlap. Whether you’re in school or not, it’s always your job to get yourself an education.
You have to be curious about the world in which you live. Look things up. Chase down every reference. Go deeper than anybody else—that’s how you’ll get ahead. Google everything. I mean everything. Google your dreams, Google your problems. Don’t ask a question before you Google it. You’ll either find the answer or you’ll come up with a better question.
Always be reading. Go to the library. There’s magic in being surrounded by books.
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9 reads
Carry a notebook and a pen with you wherever you go. Get used to pulling it out and jotting down your thoughts and observations. Copy your favorite passages out of books. Record overheard conversations. Doodle when you’re on the phone.
Keep a swipe file. A file to keep track of the stuff you’ve swiped from others. It can be digital or analog—it doesn’t matter what form it takes, as long as it works. Just take pictures of things with your camera phone. See something worth stealing? Put it in the swipe file. Need a little inspiration? Open up the swipe file.
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8 reads
“It is better to take what does not belong to you than to let it lie around neglected.”
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9 reads
You’re ready. Start making stuff.
You might be scared to start. That’s natural. There’s this very real thing that runs rampant in educated people. It’s called “impostor syndrome.”
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13 reads
IDEAS CURATED BY
CURATOR'S NOTE
this idea is very important to me because it teaches me to hoe to think and make yourself productive and become a top in what you are in.
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Curious about different takes? Check out our Steal Like an Artist Summary book page to explore multiple unique summaries written by Deepstash users.
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