One of the critical characteristics of the wabi-sabi aesthetic is an appreciation of nature and, more generally, for the natural beauty that exists outside of deliberate, human creation. Humans naturally impose their standards of value and perfection on the world and, in doing so, meddle with a natural organization of beauty best left alone.
Wabi-sabi creations often result from a flow of naturally occurring elements, as opposed to manipulating the raw materials to the artist's will. Thus, the artist is seen as a conduit, not an independent creator.
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“Nothing lasts, nothing is finished, nothing is perfect.” There’s a certain levity that comes from things going slightly wrong. Or, put another way, there’s a particular value that comes with imperfection, impermanence and incompleteness: 侘寂
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Wabi-sabi (The beauty of imperfection) is a Japanese aesthetic and worldview accepting transience and imperfection, embracing a beauty that is imperfect, impermanent, and incomplete.
Derived from Buddhist teachings, its central teachings are around asymmetry, ...
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