The Tim Ferriss Show
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When Margaret started writing, it was open season for her
Nobody was there to tell her what to do; there were no writing schools. She wrote both poetry and prose
Novels are 10% inspiration and 90% perspiration. Writing novels is work, you have to put in the hours
For poetry, it’s the opposite poets get caught in the moment of inspiration. Poetry is more likely written on the fly.
Poetry comes from the part that is linked to the patterning of music and mathematics.
Novels come from the part that is associated with narrative and telling stories. Epic poetry is similar to novels, unlike lyric poetry.
You don’t know when something may strike you and that’s why poets are so annoying to people who are not poets
Margaret Atwood is 82 years young. Is longevity determined by genetics? Margaret’s mom lived to 97.
Curiosity is a big factor; her parents were always curious. She is curious about new technologies. She is also a big fan of astrology, she reads palms and does horoscopes.
She got into it while studying English literature (she was a Victorianist). Astrology was an integral part of the Renaissance worldview (many astrological symbols in arts and literature)
I always want to know what’s the upside, what’s the downside, cost-benefit, but also what are people using this for?
Margaret was always an avid reader and she read a lot as a teenager in the 50s. What you read as a teenager has the biggest influence when you start writing
She wanted to write something like 1984, but with women, It’s all about the people you are drawn to and the skills you have at the moment.
Growing up in a cabin in the woods, When it rained, she read. There was nothing to do when it was raining, except reading, writing, and drawing
There was a strong focus on family narrative in their household; they told stories of their shared past and extended family. Her first novel was about an ant.
Nature does not deal in closed boxes. Everything in nature is on a bell curve, some forms cannot be put into closed boxes (liminal beings) e.g. the platypus
We all contain multitudes; just because Margaret is a woman and a writer, it doesn’t mean that’s the end of the story.
People label other people, and then they attack the label. You can put a general heading over anything; people can share many similarities, but in the end, no one is exactly like you.
When you get attached to labels, they become an important facet of your identity. Living in a multiple democracy calls for going beyond labels
Reading dystopian fiction, we know we’re capable of really awful things, we’re also capable of really pretty wonderful things. And we’re smart and inventive
Hope is built on a very fundamental level
How to find hope in the face of the climate crisis?. The climate crisis is real, but we are inventing a lot of new things. We are looking at the problem, and coming up with answers. The 19th century was a century of utopias: “They wrote a lot of them because they had made so many improvements already in the 19th century, that they thought, ‘This is just going to go on, and it’s going to get better and better and better.'
Why don’t we write more about utopias?
People are writing dystopias; why not imagine a better world instead?
“Practical Utopias” is on DISCO (an interactive live learning platform)
With DISCO, you have the tools to do your own live learning experience.
“Practical Utopias” is a problem-solving enterprise
“Practical Utopias” is bringing all of these ideas together, with an aim for a cheap, scalable, green solution.
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