Reading to your children is an indispensable tool. Storytelling goes hand-in-hand with reading to help children develop language and story comprehension. 
Research shows that children understand and retain more of a story they were told than having the same story read to them. Gestures and eye contact add drama, suspense, and intrigue.

Storytelling and reading

Communication

Every story should have a beginning, a middle, and an end. Every story should also include a conflict and a resolution.
If you need a bit of help, folk tales can be an excellent source material to save you the mental effort of coming up with an original story. Stories from "Aesop's Fables" such as "The Tortoise and the Hare" enable children to visualize the characters and relate to them, and the morals are things any kid can understand. Also consider telling your own stories, particularly from your childhood, as they have a special resonance with your children.

Remember the basics of storytelling

When telling a story, use pitch, pacing, and pausing to keep your child hanging on your every word.
<ul>
<li>Pauses create suspense and curiosity. You can use strategic pauses to let your child think of what will happen next, and then let the story take an unexpected turn.</li>
<li>Voice is so important. In a story, you can vary the rhythm, pitch, intonation, you can speedup your words, or you can slow... down... your... words. You can move your voice up or down.</li>
</ul>

Take the story in an unexpected direction

The advantage of telling over reading is that you don't have to hold and look at a physical book. You can use your face and hands to gesture and make eye contact.
Use your hands to show if something is huge or tiny, tap on nearby objects to imitate knocking on a door. The physical movements involve your children in the story.

Storytelling: Use your whole body

A story can be changed around. If your kid wants to change the character, you can do that. A voyage through the seas can become a journey to Mars. You can change the sequence, the characters, or the phrases. This nurtures ideas we want our children to develop.
You can encourage children to be involved in the telling, so they are not just listening. Leave out parts of the sentence and let your child fill in the blank.

Encourage audience participation

The idea is to use props or live musical accompaniment and let your child join in on the action.
Find an instrument, and as you tell the story, your child scores it. Or you can let your child take the lead - if they speed up, you speed up the action. You can also let everyone take a turn advancing the story.

Add a soundtrack to your story

Remember the three Ps: pitch, pacing and pausing.<figure><picture><source media="(max-width: 599px) and (min-device-pixel-ratio: 3),(max-width: 599px) and (-webkit-min-device-pixel-ratio: 3),(max-width: 599px) and (min-resolution: 3dppx),(max-width: 599px) and (min-resolution: 288dpi)" srcset="https://static01.nyt.com/images/2020/09/24/multimedia/24Art-of-Storytelling/24Art-of-Storytelling-mobileMasterAt3x.jpg?quality=75&amp;auto=webp&amp;disable=upscale&amp;width=600"><source media="(max-width: 599px) and (min-device-pixel-ratio: 2),(max-width: 599px) and (-webkit-min-device-pixel-ratio: 2),(max-width: 599px) and (min-resolution: 2dppx),(max-width: 599px) and (min-resolution: 192dpi)" srcset="https://static01.nyt.com/images/2020/09/24/multimedia/24Art-of-Storytelling/24Art-of-Storytelling-mobileMasterAt3x.jpg?quality=75&amp;auto=webp&amp;disable=upscale&amp;width=1200"><source media="(max-width: 599px) and (min-device-pixel-ratio: 1),(max-width: 599px) and (-webkit-min-device-pixel-ratio: 1),(max-width: 599px) and (min-resolution: 1dppx),(max-width: 599px) and (min-resolution: 96dpi)" srcset="https://static01.nyt.com/images/2020/09/24/multimedia/24Art-of-Storytelling/24Art-of-Storytelling-mobileMasterAt3x.jpg?quality=75&amp;auto=webp&amp;disable=upscale&amp;width=1800"><img src="https://static01.nyt.com/images/2020/09/24/multimedia/24Art-of-Storytelling/24Art-of-Storytelling-articleLarge.jpg?quality=75&amp;auto=webp&amp;disable=upscale" srcset="https://static01.nyt.com/images/2020/09/24/multimedia/24Art-of-Storytelling/24Art-of-Storytelling-articleLarge.jpg?quality=90&amp;auto=webp 600w, https://static01.nyt.com/images/2020/09/24/multimedia/24Art-of-Storytelling/24Art-of-Storytelling-jumbo.jpg?quality=90&amp;auto=webp 1024w, https://static01.nyt.com/images/2020/09/24/multimedia/24Art-of-Storytelling/24Art-of-Storytelling-superJumbo.jpg?quality=90&amp;auto=webp 1750w" width="600" height="400"></picture><figcaption dir="auto">Credit...
Min Heo</figcaption></figure><img alt="Paul L. Underwood" title="Paul L. Underwood" src="https://static01.nyt.com/images/2019/06/05/multimedia/paul_underwood/f1cf5ad0ba3f43239a5e35c417232a2b-thumbLarge.png" width="50" height="50">By Paul L. Underwood<UL><LI><time datetime="2020-10-08T05:00:11-04:00">Oct. 8, 2020</time></LI></UL>Once upon a time, there was a father. This father — known throughout the land as “Dad” — was, by trade, a teller of stories. One night, while perched upon the edge of his elder child’s bed, he was called upon to tell a story. He struggled. He stumbled and mumbled. He murmured words about a girl trying to go to school, her path blocked by some nefarious cows.As the father spoke, his daughter seemed bored, like a movie producer screening a disappointing rough cut. She offered some notes. The girl should be a princess, she suggested. She should have a unicorn, too, one that could fly would be ideal. The father made those changes, and the story became an immediate critical success. The father vowed never to suffer such creative malaise again.<div dir="ltr">NYT Parenting: Get evidence-based guidance, plus personal stories and tiny victories from other parents.</div><div><button type="button">Sign Up</button></div>That was me more than three years ago. It marked the first of roughly 600 bedtime stories told, and counting. In telling those stories, I’ve gained a sense of what works for my daughter (princesses, witches, magic) and what doesn’t (stories with an obvious moral). I’m by no means a master — more than once, I’ve dozed off mid-sentence. And yet, I’ve learned some useful lessons along the way.AdvertisementIn crafting this guide, I also spoke with several experts, including the host of a storytelling podcast for children, a Grammy-nominated storyteller with 35 years of experience and a researcher who has studied storytelling. Here’s what you need to know.<h2>You still need to read to your kids</h2>Let’s be clear: Reading is still an <a href="https://www.nytimes.com/2018/04/16/well/family/reading-aloud-to-young-children-has-benefits-for-behavior-and-attention.html" title="" dir="ltr">indispensable tool </a>in your parenting toolkit. Storytelling should be a complement to reading, not a replacement. I tend to tell stories after reading a bedtime book to lights off. But you can also use storytelling anytime — to make a long car trip shorter or just to pass the time. Whenever you do, you are engaging with your child in a unique way.<UL><LI>Unlock more free articles.</LI></UL>“Listening to the story without the benefits of the illustrations requires the child to picture the characters and the events in their own mind,” said <a href="https://drisbell.com/" title="" rel="noopener noreferrer" dir="ltr">Rebecca Isbell</a>, Ph.D., an early childhood education consultant and professor emerita at East Tennessee State University. “They are creating the story for themselves. They are listening to it, and as they do they’re turning on that movie in their head.”These mental movies are powerful — in her research, Dr. Isbell has found children understood (and retained) more of a story they were told out loud than having the same story read to them. “I think that’s something that gets lost with reading,” she said. “You’re focused on the words and the phrases, not the deeper meaning of it.” When you tell a story, there’s no book to focus on, for you or your child, so you can use gestures and eye contact to add drama, suspense and intrigue.Ultimately, Dr. Isbell concluded that storytelling and reading work best in tandem to help children develop language and story comprehension, just as you want your child eating a balanced meal.Advertisement<h2>Remember the basics of storytelling</h2>If you’re making up a story whole cloth, remember every story should have a beginning, a middle and an end. Every story should have a conflict and a resolution. Need help? Consider the folk tale.On <a href="https://www.wbur.org/circleround" title="" rel="noopener noreferrer" dir="ltr">Circle Round</a>, the children’s storytelling podcast from WBUR public radio in Boston, host Rebecca Sheir draws from folklore as source material for entertaining, audio-only stories for kids. I’ve drawn from my admittedly limited knowledge of The Odyssey (which was originally passed down orally) and the Bible (David and Goliath works pretty well). This saves you the mental effort of coming up with an original story every night.Several experts recommended stories from “Aesop’s Fables,” which has been delighting children for millennia and includes “The Tortoise and the Hare.” Why? Because for kids, the protagonists “aren’t really animals, they’re people,” Dr. Isbell said. They visualize the characters and identify with them, and the nuanced morals — slow and steady wins the race, for example — are things any kid can understand.If you’re really stumped, consider your own story. “We all have stories — a clever way you got out of a tricky situation, a surprise that made you laugh,” said Sheir. In particular, stories from your childhood have a special resonance because, as Sheir puts it, “kids have a hard time believing you ever were a child.”<figure><img alt="AT HOME TEST" src="https://static01.nyt.com/images/2020/08/04/smarter-living/flower-test-byline/flower-test-byline-jumbo-v5.jpg?quality=75&amp;auto=webp&amp;disable=upscale" width="64" height="64"></figure><div>How can we help you lead a better, more fulfilling life at home during the pandemic?</div><div>Ask us a question or tell us what’s on your mind.</div><div><button type="button">Log in to ask your question</button></div><h2>Take the story in an unexpected direction</h2><a href="http://www.dianeferlatte.com/" title="" rel="noopener noreferrer" dir="ltr">Diane Ferlatte</a> has participated in storytelling festivals on five continents and in much of the United States, and her 2006 album of Brer Rabbit stories earned a Grammy nomination for Best Spoken Word Album for Children. She is, in short, a storyteller’s storyteller. Her advice? Use pitch, pacing and pausing to keep your child on the edge of their seat (or pillow).“Pauses are very important,” she said. “It lets that curiosity and suspense in.” You can use strategic pauses to let your child ponder what happens next, and then take the story in an unexpected direction. Or just to make sure they’re paying attention.Sheir seconds Ferlatte’s advice. “When you’re making up a story, the voice is so important,” she said. “You can vary your rhythm, pitch, intonation, your pacing. You can speeditup! You can slow … down … your … words. You can move your voice up! if someone is climbing a mountain, or move your voice down if they’re climbing down. You don’t have to be a musical person — we all have these musical instruments we’ve used for all of our lives.”AdvertisementOne word of warning: Sometimes, kids don’t want you to go full Jim Carrey. Or, as my daughter said the other night, “Please don’t use funny voices.” Her loss. My wicked witch voice is both terrifying and hilarious.<h2>Use your whole body</h2>One advantage of telling, rather than reading, a story is that you don’t have to look at and hold a physical book, which frees your face and hands to gesture and make eye contact. It’s the difference between some guy reading a joke book and Chris Rock or Ali Wong doing standup. As Ferlatte puts it, “If books could give us sound and movement and voices and facial expression, that’d be wonderful. But they can’t.”Use your hands to show whether something is huge or tiny, tap on nearby objects to imitate knocking on a door or whoosh your hands when something happens quickly. This physicality involves your children in the story. As Dr. Isbell puts it, when we’re telling a story to another person, “We’re dancing. We’re moving together.”<h2>Encourage audience participation</h2>“One of the things with a story told is you can change it around,” Dr. Isbell said. If your daughter wants the protagonist to be a mermaid instead of a snail, you can change that. A voyage through the high seas can become a journey to Mars. “You can change the sequence, you can change the characters, you can change the phrases. This nurtures that fluency of ideas that we want our children to develop.”As with singing a song, you can encourage call and response, or use rhymes to keep the child actively engaged. Ferlatte recommends leaving out the end of a sentence and letting your child fill in the blank. “When you’re telling stories, you want them to be involved in the telling,” Dr. Isbell said. “We want them to be co-creators of the story, so they’re not just listening, they’re actively participating.”This also helps if you’re hard up for material. “If you’re winging it, and running out of ideas, you can use audience participation to give yourself a break,” Sheir said. “You can even steal your kids’ ideas.”<h2>Add a soundtrack</h2>This last tip is helpful for if and when you’re telling stories beyond bedtime — on a long car ride, for example, or to liven up bath time. The idea is to use props or live musical accompaniment, just as professionals <a href="https://www.storytellingcenter.net/festival/" title="" rel="noopener noreferrer" dir="ltr">do at festivals</a> or on recordings.Advertisement“Your child is becoming your John Williams,” Sheir said, referring to the iconic composer of movie themes. Find an actual instrument or just two sticks “and as you tell the story, your child scores it. Or you can let your child take the lead — if they speed up, you speed up the action. If they slow down, you slow down, too.” You can also employ techniques like <a href="https://poets.org/text/play-exquisite-corpse" title="" rel="noopener noreferrer" dir="ltr">exquisite corpse</a>, in which everyone takes a turn advancing the story. Or use <a href="https://www.storycubes.com/en/" title="" rel="noopener noreferrer" dir="ltr">Rory’s Story Cubes</a>, in which you roll dice to determine where a story goes next.In a time when physical bookstores and libraries remain off-limits for many of us, storytelling is a way to introduce new tales into our daily life. It’s also a way to bond with your child, to tap into her natural imagination while, perhaps, reawakening yours. In our home, I’m aware that Mom is the preferred parent for, well, almost everything — but storytelling remains exclusively my domain.Like a long-running TV show, my stories are largely familiar and predictable, and yet my daughter eagerly asks for another installment every time I put her to bed. Oh, and it’s a rare moment in life where telling a story that literally puts someone to sleep counts as a win. So while I can’t promise that you’ll live happily ever after, you can introduce a little creativity into a stale and sometimes-challenging bedtime routine. The end.Paul L. Underwood writes frequently on health and culture and is the father to two young children in Austin, Texas.Advertisement

Remember the three Ps: pitch, pacing and pausing.

Remember the three Ps: pitch, pacing and pausing.

By Paul L. Underwood

Once upon a time, there was a father. This father — known throughout the land as “Dad” — was, by trade, a teller of stories. One night, while perched upon the edge of his elder child’s bed, he was called upon to tell a story. He struggled. He stumbled and mumbled. He murmured words about a girl trying to go to school, her path blocked by some nefarious cows.

As the father spoke, his daughter seemed bored, like a movie producer screening a disappointing rough cut. She offered some notes. The girl should be a princess, she suggested. She should have a unicorn, too, one that could fly would be ideal. The father made those changes, and the story became an immediate critical success. The father vowed never to suffer such creative malaise again.

That was me more than three years ago. It marked the first of roughly 600 bedtime stories told, and counting. In telling those stories, I’ve gained a sense of what works for my daughter (princesses, witches, magic) and what doesn’t (stories with an obvious moral). I’m by no means a master — more than once, I’ve dozed off mid-sentence. And yet, I’ve learned some useful lessons along the way.

In crafting this guide, I also spoke with several experts, including the host of a storytelling podcast for children, a Grammy-nominated storyteller with 35 years of experience and a researcher who has studied storytelling. Here’s what you need to know.

Let’s be clear: Reading is still an <a dir="ltr" href="https://www.nytimes.com/2018/04/16/well/family/reading-aloud-to-young-children-has-benefits-for-behavior-and-attention.html" title="">indispensable tool </a>in your parenting toolkit. Storytelling should be a complement to reading, not a replacement. I tend to tell stories after reading a bedtime book to lights off. But you can also use storytelling anytime — to make a long car trip shorter or just to pass the time. Whenever you do, you are engaging with your child in a unique way.

<ul><li>Unlock more free articles. </li> </ul>

“Listening to the story without the benefits of the illustrations requires the child to picture the characters and the events in their own mind,” said <a dir="ltr" href="https://drisbell.com/" rel="noopener noreferrer" title="">Rebecca Isbell </a>, Ph.D., an early childhood education consultant and professor emerita at East Tennessee State University. “They are creating the story for themselves. They are listening to it, and as they do they’re turning on that movie in their head.”

These mental movies are powerful — in her research, Dr. Isbell has found children understood (and retained) more of a story they were told out loud than having the same story read to them. “I think that’s something that gets lost with reading,” she said. “You’re focused on the words and the phrases, not the deeper meaning of it.” When you tell a story, there’s no book to focus on, for you or your child, so you can use gestures and eye contact to add drama, suspense and intrigue.

Ultimately, Dr. Isbell concluded that storytelling and reading work best in tandem to help children develop language and story comprehension, just as you want your child eating a balanced meal.

If you’re making up a story whole cloth, remember every story should have a beginning, a middle and an end. Every story should have a conflict and a resolution. Need help? Consider the folk tale.

On <a dir="ltr" href="https://www.wbur.org/circleround" rel="noopener noreferrer" title="">Circle Round </a>, the children’s storytelling podcast from WBUR public radio in Boston, host Rebecca Sheir draws from folklore as source material for entertaining, audio-only stories for kids. I’ve drawn from my admittedly limited knowledge of The Odyssey (which was originally passed down orally) and the Bible (David and Goliath works pretty well). This saves you the mental effort of coming up with an original story every night.

Several experts recommended stories from “Aesop’s Fables,” which has been delighting children for millennia and includes “The Tortoise and the Hare.” Why? Because for kids, the protagonists “aren’t really animals, they’re people,” Dr. Isbell said. They visualize the characters and identify with them, and the nuanced morals — slow and steady wins the race, for example — are things any kid can understand.

If you’re really stumped, consider your own story. “We all have stories — a clever way you got out of a tricky situation, a surprise that made you laugh,” said Sheir. In particular, stories from your childhood have a special resonance because, as Sheir puts it, “kids have a hard time believing you ever were a child.”

Ask us a question or tell us what’s on your mind.

<a dir="ltr" href="http://www.dianeferlatte.com/" rel="noopener noreferrer" title="">Diane Ferlatte </a>has participated in storytelling festivals on five continents and in much of the United States, and her 2006 album of Brer Rabbit stories earned a Grammy nomination for Best Spoken Word Album for Children. She is, in short, a storyteller’s storyteller. Her advice? Use pitch, pacing and pausing to keep your child on the edge of their seat (or pillow).

“Pauses are very important,” she said. “It lets that curiosity and suspense in.” You can use strategic pauses to let your child ponder what happens next, and then take the story in an unexpected direction. Or just to make sure they’re paying attention.

Sheir seconds Ferlatte’s advice. “When you’re making up a story, the voice is so important,” she said. “You can vary your rhythm, pitch, intonation, your pacing. You can speeditup! You can slow … down … your … words. You can move your voice up! if someone is climbing a mountain, or move your voice down if they’re climbing down. You don’t have to be a musical person — we all have these musical instruments we’ve used for all of our lives.”

One word of warning: Sometimes, kids don’t want you to go full Jim Carrey. Or, as my daughter said the other night, “Please don’t use funny voices.” Her loss. My wicked witch voice is both terrifying and hilarious.

One advantage of telling, rather than reading, a story is that you don’t have to look at and hold a physical book, which frees your face and hands to gesture and make eye contact. It’s the difference between some guy reading a joke book and Chris Rock or Ali Wong doing standup. As Ferlatte puts it, “If books could give us sound and movement and voices and facial expression, that’d be wonderful. But they can’t.”

Use your hands to show whether something is huge or tiny, tap on nearby objects to imitate knocking on a door or whoosh your hands when something happens quickly. This physicality involves your children in the story. As Dr. Isbell puts it, when we’re telling a story to another person, “We’re dancing. We’re moving together.”

“One of the things with a story told is you can change it around,” Dr. Isbell said. If your daughter wants the protagonist to be a mermaid instead of a snail, you can change that. A voyage through the high seas can become a journey to Mars. “You can change the sequence, you can change the characters, you can change the phrases. This nurtures that fluency of ideas that we want our children to develop.”

As with singing a song, you can encourage call and response, or use rhymes to keep the child actively engaged. Ferlatte recommends leaving out the end of a sentence and letting your child fill in the blank. “When you’re telling stories, you want them to be involved in the telling,” Dr. Isbell said. “We want them to be co-creators of the story, so they’re not just listening, they’re actively participating.”

This also helps if you’re hard up for material. “If you’re winging it, and running out of ideas, you can use audience participation to give yourself a break,” Sheir said. “You can even steal your kids’ ideas.”

This last tip is helpful for if and when you’re telling stories beyond bedtime — on a long car ride, for example, or to liven up bath time. The idea is to use props or live musical accompaniment, just as professionals <a dir="ltr" href="https://www.storytellingcenter.net/festival/" rel="noopener noreferrer" title="">do at festivals </a>or on recordings.

“Your child is becoming your John Williams,” Sheir said, referring to the iconic composer of movie themes. Find an actual instrument or just two sticks “and as you tell the story, your child scores it. Or you can let your child take the lead — if they speed up, you speed up the action. If they slow down, you slow down, too.” You can also employ techniques like <a dir="ltr" href="https://poets.org/text/play-exquisite-corpse" rel="noopener noreferrer" title="">exquisite corpse </a>, in which everyone takes a turn advancing the story. Or use <a dir="ltr" href="https://www.storycubes.com/en/" rel="noopener noreferrer" title="">Rory’s Story Cubes </a>, in which you roll dice to determine where a story goes next.

In a time when physical bookstores and libraries remain off-limits for many of us, storytelling is a way to introduce new tales into our daily life. It’s also a way to bond with your child, to tap into her natural imagination while, perhaps, reawakening yours. In our home, I’m aware that Mom is the preferred parent for, well, almost everything — but storytelling remains exclusively my domain.

Like a long-running TV show, my stories are largely familiar and predictable, and yet my daughter eagerly asks for another installment every time I put her to bed. Oh, and it’s a rare moment in life where telling a story that literally puts someone to sleep counts as a win. So while I can’t promise that you’ll live happily ever after, you can introduce a little creativity into a stale and sometimes-challenging bedtime routine. The end.

Paul L. Underwood writes frequently on health and culture and is the father to two young children in Austin, Texas.

Bite‑sized knowledge
to upgrade
your career

How to Tell a Great Bedtime Story

Storytelling and reading

Remember the basics of storytelling

Take the story in an unexpected direction

Storytelling: Use your whole body

Encourage audience participation

Add a soundtrack to your story

How to Tell a Great Story

How to Tell a Great Story

How to Tell a Story on Social Media

Bite‑sized knowledgeto upgradeyour career

How to Tell a Great Bedtime Story

Storytelling and reading

Remember the basics of storytelling

Take the story in an unexpected direction

Storytelling: Use your whole body

Encourage audience participation

Add a soundtrack to your story

How to Tell a Great Story

How to Tell a Great Story

How to Tell a Story on Social Media

Bite‑sized knowledge
to upgrade
your career