Creativity can be broken down into a process:<ol><li>Consume lots of sources</li><li>But no faster than you can reflect on them and take notes. It's pointless to consume a lot without reflecting because you don't learn anything.</li><li>Collect your notes in one place and organize them in collections around topics/questions/etc.</li><li>As your collections grow larger you'll see patterns in them and notice missing pieces. Identify a theme in one of your collections and write about it in an essay, blog post, note for yourself, or another creative output.</li></ol>

Reflect on what you consume to increase your creativity

There is no best way to reflect. Do whatever works for you depending on the content you consume, your mood, and how much time you have available:<ul><li>Write your opinion</li><li>Save a quote</li><li>Extract an important idea</li><li>Associate it with something you already know</li><li>Or a combination of all of the above</li></ul>Beware of wasting time trying to write the perfect notes or to synthesize everything that was said. Focus on writing good enough notes that you can come back to later.

Tips to reflect on what you consume

<picture>
 
 <source srcset="https://images.ctfassets.net/s5uo95nf6njh/6CQpGaMRUgq5HDxhkDuwRH/f5248ece350c572bea498c48bc834139/Community_II__1_.jpg?w=1200&amp;fm=webp 1200w, https://images.ctfassets.net/s5uo95nf6njh/6CQpGaMRUgq5HDxhkDuwRH/f5248ece350c572bea498c48bc834139/Community_II__1_.jpg?w=960&amp;fm=webp 960w, https://images.ctfassets.net/s5uo95nf6njh/6CQpGaMRUgq5HDxhkDuwRH/f5248ece350c572bea498c48bc834139/Community_II__1_.jpg?w=720&amp;fm=webp 720w, https://images.ctfassets.net/s5uo95nf6njh/6CQpGaMRUgq5HDxhkDuwRH/f5248ece350c572bea498c48bc834139/Community_II__1_.jpg?w=600&amp;fm=webp 600w, https://images.ctfassets.net/s5uo95nf6njh/6CQpGaMRUgq5HDxhkDuwRH/f5248ece350c572bea498c48bc834139/Community_II__1_.jpg?w=480&amp;fm=webp 480w, https://images.ctfassets.net/s5uo95nf6njh/6CQpGaMRUgq5HDxhkDuwRH/f5248ece350c572bea498c48bc834139/Community_II__1_.jpg?w=240&amp;fm=webp 240w" sizes="(max-width: 755px) 100vw, 45vw" type="image/webp">
 <source srcset="https://images.ctfassets.net/s5uo95nf6njh/6CQpGaMRUgq5HDxhkDuwRH/f5248ece350c572bea498c48bc834139/Community_II__1_.jpg?w=1200&amp;fm=jpg 1200w, https://images.ctfassets.net/s5uo95nf6njh/6CQpGaMRUgq5HDxhkDuwRH/f5248ece350c572bea498c48bc834139/Community_II__1_.jpg?w=960&amp;fm=jpg 960w, https://images.ctfassets.net/s5uo95nf6njh/6CQpGaMRUgq5HDxhkDuwRH/f5248ece350c572bea498c48bc834139/Community_II__1_.jpg?w=720&amp;fm=jpg 720w, https://images.ctfassets.net/s5uo95nf6njh/6CQpGaMRUgq5HDxhkDuwRH/f5248ece350c572bea498c48bc834139/Community_II__1_.jpg?w=600&amp;fm=jpg 600w, https://images.ctfassets.net/s5uo95nf6njh/6CQpGaMRUgq5HDxhkDuwRH/f5248ece350c572bea498c48bc834139/Community_II__1_.jpg?w=480&amp;fm=jpg 480w, https://images.ctfassets.net/s5uo95nf6njh/6CQpGaMRUgq5HDxhkDuwRH/f5248ece350c572bea498c48bc834139/Community_II__1_.jpg?w=240&amp;fm=jpg 240w" sizes="(max-width: 755px) 100vw, 45vw" type="image/jpeg">
 <img width="785" height="916" alt="Mahmoud Hashemi" src="https://images.ctfassets.net/s5uo95nf6njh/6CQpGaMRUgq5HDxhkDuwRH/f5248ece350c572bea498c48bc834139/Community_II__1_.jpg?w=1200&amp;fm=jpg">
</picture>
 Mahmoud Hashemi // Staff Software Engineer, Stripe 
 The ReadME Project amplifies the voices of the open source community: the maintainers, developers, and teams whose contributions move the world forward every day.<h4 dir="ltr">
 Driven by conversation and connection
 </h4>We all have it. Whether it gets you up in the morning or keeps you up at night, you've felt it: creative potential.Turning potential into productivity can prove challenging in an internet-connected environment that offers a constant stream of consumables. How do we pick a direction?&nbsp;In this guide, you'll see how to distill the elements of creativity into four deliberate stages:&nbsp;<OL><LI>Consume</LI><LI>Critique</LI><LI>Curate</LI><LI>Create</LI></OL>These 4 Cs comprise a straightforward, adaptable approach that works well in both group and solo settings. You've already started on step 1… read on to find out what happens next.<h3>Consume</h3>Step 1: Turn passive consumption into active researchFrom the moment you open your eyes in the morning, you're accosted with calls to consume. Articles, videos, podcasts, the newest Wordle variant. When consumption is the default mode of our modern computing environment, how is a builder supposed to build?To create, we must first recognize its inverse: consumption. Consumption is a useful stage, but can be dangerous if it’s terminal. An infinite loop in this stage kills any chance of creation. But little is created in a vacuum. Creation still starts with consumption, albeit consumption disarmed with an intention: Research and critique.<h3>Critique</h3>Step 2: Capture your reactions in critiques, and research no faster than you can reactAs with so many software problems of our day, the answer is simple: React. No, not the JavaScript framework, but the human act of reaction. Intentional creation starts with giving yourself pause on new inputs. Seek a reaction from yourself. A semi-structured reaction, or <a href="https://en.wikipedia.org/wiki/Critique" dir="ltr">critique</a>, is a time-honored practice in creative fields, like <a href="https://en.wikipedia.org/wiki/Architecture_criticism#Criteria" dir="ltr">architecture</a>.Infinite scroll may prove challenging to overcome, but before turning your consideration to the next item in your feed, activate your critical senses. Draw some conclusions. Even unvetted, they're yours.&nbsp;If you're finding it hard to summon a critique, this is a clear sign you're consuming faster than you can reflect. If you're not reflecting, you're not learning. You may need to go deeper on individual items, or just take a break.Your critiques have never been easier to capture, whether typed in markdown, dictated to automatic transcription, or written down in a notepad on your desk. Try opening your editor or critique tool before opening any new resources. Feel free to open one now.&nbsp;<h3>Curate</h3>Step 3: Curate critiques into collections that act as reservoirs of creative referenceCritiques are only proto-creative output. Writing anything helps prime the creative pump, but criticism is raw reaction. You want a refined synthesis. Once you've got enough critiques under your belt, curate the positive examples into a collection.&nbsp;From interior designers to lab researchers to club DJs, creators recognize the value of a structured, referenceable collection. Sometimes a situation calls for urgency or direction, and an organized, well-researched collection can offer an existing solution. Sometimes, in the context of a comprehensive collection, the lack of a referenceable solution is itself a signal that it's time to invent.Curated collections become artifacts unto themselves. I've helped create a few, including <a href="https://0ver.org/" dir="ltr">0ver.org</a>, <a href="https://seealso.org/" dir="ltr">seealso.org</a>, and <a href="https://github.com/mahmoud/awesome-python-applications" dir="ltr">the Awesome Python Applications list</a>. There’s more awesome out there beyond <a href="https://github.com/sindresorhus/awesome" dir="ltr">Awesome Lists</a>, like <a href="https://explorabl.es/" dir="ltr">explorabl.es</a>, the <a href="https://cooperpress.com/publications/" dir="ltr">Cooperpress newsletters</a>, or the “<a href="https://en.wikipedia.org/wiki/Swipe_file" dir="ltr">swipe file</a>” phenomenon used among designers and content creators. There's respectable work in curation. Still, curation is more important as a stepping stone to our original higher calling. Less is more.<h3>Create</h3>Step 4: Return to your curations regularly to discover your creative path forward&nbsp;Collections of a certain size tend to produce interesting findings. Patterns and gaps emerge that inspire creative next steps. As an example, while researching approaches to Python packaging, a pattern emerged that led to one of my most popular concepts/blog posts/talks, <a href="https://sedimental.org/the_packaging_gradient.html" dir="ltr">The Packaging Gradient</a>.Whole projects can be born out of connections made with collections. My framework <a href="http://github.com/mahmoud/clastic" dir="ltr">Clastic</a>, which was eventually used by teams at PayPal and Wiki Loves Monuments, came out of the curated combination of <a href="http://pytest.org/" dir="ltr">pytest</a> semantics with <a href="https://werkzeug.palletsprojects.com/" dir="ltr">werkzeug</a> primitives.Realistically, the majority of creation happens below the threshold of standalone artifacts. For instance, when adding a feature to an existing system, a parallel approach in a different project serves as a useful guide. I've lost track of the number of times I've swiped techniques from Awesome Python Applications, including ones used to <a href="https://sedimental.org/tech_refresh.html" dir="ltr">port my dayjob's 300k SLOC codebase from Python 2 to 3</a>.Most creative outputs have a similar lineage. Only now we have an explicit process.<h3>Debugging the process</h3>It's easy to see creations we appreciate as towering achievements that sprung fully-formed from their creators' genius. But creation comes in fits and starts. If creation comes slowly, here are a few strategies to consider :&nbsp;<UL><LI>Search for a natural split in an existing collection that's getting too big, and explore what makes it interesting.&nbsp;</LI><LI>Revisit an old, contentious critique and re-react. What did you get right/wrong?</LI><LI>Pick a particular exemplar and turn it into a case study. One beautiful aspect of FOSS projects is that going deep can mean getting involved. There's nothing like proximity to a problem to inspire creative thinking.</LI></UL>More generally, be wary of one-size-fits-all solutions; while prescriptive techniques such as the <a href="https://zettelkasten.de/" dir="ltr">Zettelkasten Method</a> may work for some, creation is idiosyncratic. Embrace your own process.<h3>Putting it into practice</h3>When inspiration hits, connections can form so quickly that we take for granted what goes on. When inspiration proves less willing to strike, we can keep ourselves primed for creativity by ensuring all four activities continue in balance.<picture>
 <source srcset="https://images.ctfassets.net/s5uo95nf6njh/4XtZUHhdHeWCr9mW8toAtB/9b18a1ae36100e2c37b454c88bde338b/760x480-Mahmoud-Inline-Graphic_2x.jpg?w=1520&amp;fm=avif 1520w, https://images.ctfassets.net/s5uo95nf6njh/4XtZUHhdHeWCr9mW8toAtB/9b18a1ae36100e2c37b454c88bde338b/760x480-Mahmoud-Inline-Graphic_2x.jpg?w=1216&amp;fm=avif 1216w, https://images.ctfassets.net/s5uo95nf6njh/4XtZUHhdHeWCr9mW8toAtB/9b18a1ae36100e2c37b454c88bde338b/760x480-Mahmoud-Inline-Graphic_2x.jpg?w=912&amp;fm=avif 912w, https://images.ctfassets.net/s5uo95nf6njh/4XtZUHhdHeWCr9mW8toAtB/9b18a1ae36100e2c37b454c88bde338b/760x480-Mahmoud-Inline-Graphic_2x.jpg?w=760&amp;fm=avif 760w, https://images.ctfassets.net/s5uo95nf6njh/4XtZUHhdHeWCr9mW8toAtB/9b18a1ae36100e2c37b454c88bde338b/760x480-Mahmoud-Inline-Graphic_2x.jpg?w=608&amp;fm=avif 608w, https://images.ctfassets.net/s5uo95nf6njh/4XtZUHhdHeWCr9mW8toAtB/9b18a1ae36100e2c37b454c88bde338b/760x480-Mahmoud-Inline-Graphic_2x.jpg?w=304&amp;fm=avif 304w" sizes="(max-width: 930px) 90vw, 840px" type="image/avif">
 <source srcset="https://images.ctfassets.net/s5uo95nf6njh/4XtZUHhdHeWCr9mW8toAtB/9b18a1ae36100e2c37b454c88bde338b/760x480-Mahmoud-Inline-Graphic_2x.jpg?w=1520&amp;fm=webp 1520w, https://images.ctfassets.net/s5uo95nf6njh/4XtZUHhdHeWCr9mW8toAtB/9b18a1ae36100e2c37b454c88bde338b/760x480-Mahmoud-Inline-Graphic_2x.jpg?w=1216&amp;fm=webp 1216w, https://images.ctfassets.net/s5uo95nf6njh/4XtZUHhdHeWCr9mW8toAtB/9b18a1ae36100e2c37b454c88bde338b/760x480-Mahmoud-Inline-Graphic_2x.jpg?w=912&amp;fm=webp 912w, https://images.ctfassets.net/s5uo95nf6njh/4XtZUHhdHeWCr9mW8toAtB/9b18a1ae36100e2c37b454c88bde338b/760x480-Mahmoud-Inline-Graphic_2x.jpg?w=760&amp;fm=webp 760w, https://images.ctfassets.net/s5uo95nf6njh/4XtZUHhdHeWCr9mW8toAtB/9b18a1ae36100e2c37b454c88bde338b/760x480-Mahmoud-Inline-Graphic_2x.jpg?w=608&amp;fm=webp 608w, https://images.ctfassets.net/s5uo95nf6njh/4XtZUHhdHeWCr9mW8toAtB/9b18a1ae36100e2c37b454c88bde338b/760x480-Mahmoud-Inline-Graphic_2x.jpg?w=304&amp;fm=webp 304w" sizes="(max-width: 930px) 90vw, 840px" type="image/webp">
 <source srcset="https://images.ctfassets.net/s5uo95nf6njh/4XtZUHhdHeWCr9mW8toAtB/9b18a1ae36100e2c37b454c88bde338b/760x480-Mahmoud-Inline-Graphic_2x.jpg?w=1520&amp;fm=jpg 1520w, https://images.ctfassets.net/s5uo95nf6njh/4XtZUHhdHeWCr9mW8toAtB/9b18a1ae36100e2c37b454c88bde338b/760x480-Mahmoud-Inline-Graphic_2x.jpg?w=1216&amp;fm=jpg 1216w, https://images.ctfassets.net/s5uo95nf6njh/4XtZUHhdHeWCr9mW8toAtB/9b18a1ae36100e2c37b454c88bde338b/760x480-Mahmoud-Inline-Graphic_2x.jpg?w=912&amp;fm=jpg 912w, https://images.ctfassets.net/s5uo95nf6njh/4XtZUHhdHeWCr9mW8toAtB/9b18a1ae36100e2c37b454c88bde338b/760x480-Mahmoud-Inline-Graphic_2x.jpg?w=760&amp;fm=jpg 760w, https://images.ctfassets.net/s5uo95nf6njh/4XtZUHhdHeWCr9mW8toAtB/9b18a1ae36100e2c37b454c88bde338b/760x480-Mahmoud-Inline-Graphic_2x.jpg?w=608&amp;fm=jpg 608w, https://images.ctfassets.net/s5uo95nf6njh/4XtZUHhdHeWCr9mW8toAtB/9b18a1ae36100e2c37b454c88bde338b/760x480-Mahmoud-Inline-Graphic_2x.jpg?w=304&amp;fm=jpg 304w" sizes="(max-width: 930px) 90vw, 840px" type="image/jpeg">
 <img width="505" height="319" alt="Inline1_Guide_Mahmoud Hashemi" src="https://images.ctfassets.net/s5uo95nf6njh/4XtZUHhdHeWCr9mW8toAtB/9b18a1ae36100e2c37b454c88bde338b/760x480-Mahmoud-Inline-Graphic_2x.jpg?w=1520&amp;fm=jpg">
</picture>There are a few notable benefits of intentional creation:<OL><LI>When you've built something, the influences are well-documented. It can be easier to involve others when there's a clear creative thread to pull on.</LI><LI>Sharing your critiques and curations invites collaboration with other creators and curators.&nbsp;</LI><LI>Self-awareness. If you're not finding your critiques crystallizing into new thoughts and ideas for projects, that's a sign you're looking at the wrong stuff. Are you following your interests or passively consuming trending content?</LI></OL>Practically, intentional creation means consciously spending less time on consumer sites, from Twitter to Hacker News, and more time taking notes, tagging bookmarks, and creating your own knowledge base. Attempt activities that are less entertainment and more you, ultimately closing the gap between you and your creative goals.If it sounds too simple, that's because it is. You're still accountable to you, that's the hard part. But hopefully you'll find some value in this simple hierarchy that lets you check in on your own activities and make adjustments toward a more creative end. Spend less time consuming, and more time on the other three Cs. Consume only enough to allow yourself to critique, curate, and create.If you made it this far, then start now. Step 2. Use any tool or service you like, from <a href="https://docs.google.com/spreadsheets/d/1Vvrnp83PDkIGKq6pYJqPGf99xqRn8Cg4MJiTGOxgS0U/edit#gid=1010469400" dir="ltr">spreadsheets</a> to <a href="https://github.com/mahmoud/awesome-python-applications/blob/master/projects.yaml" dir="ltr">YAML</a>, and answer this: What's your critique?&nbsp;Hey! I’m Mahmoud. I’m based in Silicon Valley—the heart of tech (or the geographic one anyways). I’ve been in payments since I first came out here to work at PayPal, and was previously the engineering director at <a href="https://simplelegal.com/" dir="ltr">SimpleLegal</a>, a Y Combinator invoicing startup. Currently, I’m a staff engineer at Stripe leading efforts in our B2B payments group. On the side I <a href="http://sedimental.org/" dir="ltr">blog</a>, help run the <a href="https://pyninsula.org/" dir="ltr">Pyninsula meetup group</a>, give<a href="https://sedimental.org/talks.html" dir="ltr"> a few talks</a>, and occasionally post <a href="http://soundcloud.com/chillanimebeats" dir="ltr">lo-fi mixtapes</a> (though lately I’ve been learning violin).

The trick to turning potential into productivity, @mhashemi says, is to distill it down into four stages: consume, critique, curate, create. Here's how:


writing

Reading & Writing

education

Learning & Education

creativity

Creativity

Mahmoud Hashemi // Staff Software Engineer, Stripe

The ReadME Project amplifies the voices of the open source community: the maintainers, developers, and teams whose contributions move the world forward every day.

We all have it. Whether it gets you up in the morning or keeps you up at night, you've felt it: creative potential.

Turning potential into productivity can prove challenging in an internet-connected environment that offers a constant stream of consumables. How do we pick a direction?

In this guide, you'll see how to distill the elements of creativity into four deliberate stages:

<ol><li>Consume </li><li>Critique </li><li>Curate </li><li>Create </li> </ol>

These 4 Cs comprise a straightforward, adaptable approach that works well in both group and solo settings. You've already started on step 1… read on to find out what happens next.

Step 1: Turn passive consumption into active research

From the moment you open your eyes in the morning, you're accosted with calls to consume. Articles, videos, podcasts, the newest Wordle variant. When consumption is the default mode of our modern computing environment, how is a builder supposed to build?

To create, we must first recognize its inverse: consumption. Consumption is a useful stage, but can be dangerous if it’s terminal. An infinite loop in this stage kills any chance of creation. But little is created in a vacuum. Creation still starts with consumption, albeit consumption disarmed with an intention: Research and critique.

Step 2: Capture your reactions in critiques, and research no faster than you can react

As with so many software problems of our day, the answer is simple: React. No, not the JavaScript framework, but the human act of reaction. Intentional creation starts with giving yourself pause on new inputs. Seek a reaction from yourself. A semi-structured reaction, or <a href="https://en.wikipedia.org/wiki/Critique">critique </a>, is a time-honored practice in creative fields, like <a href="https://en.wikipedia.org/wiki/Architecture_criticism#Criteria">architecture </a>.

Infinite scroll may prove challenging to overcome, but before turning your consideration to the next item in your feed, activate your critical senses. Draw some conclusions. Even unvetted, they're yours.

If you're finding it hard to summon a critique, this is a clear sign you're consuming faster than you can reflect. If you're not reflecting, you're not learning. You may need to go deeper on individual items, or just take a break.

Your critiques have never been easier to capture, whether typed in markdown, dictated to automatic transcription, or written down in a notepad on your desk. Try opening your editor or critique tool before opening any new resources. Feel free to open one now.

Step 3: Curate critiques into collections that act as reservoirs of creative reference

Critiques are only proto-creative output. Writing anything helps prime the creative pump, but criticism is raw reaction. You want a refined synthesis. Once you've got enough critiques under your belt, curate the positive examples into a collection.

From interior designers to lab researchers to club DJs, creators recognize the value of a structured, referenceable collection. Sometimes a situation calls for urgency or direction, and an organized, well-researched collection can offer an existing solution. Sometimes, in the context of a comprehensive collection, the lack of a referenceable solution is itself a signal that it's time to invent.

Curated collections become artifacts unto themselves. I've helped create a few, including <a href="https://0ver.org/">0ver.org </a>, <a href="https://seealso.org/">seealso.org </a>, and <a href="https://github.com/mahmoud/awesome-python-applications">the Awesome Python Applications list </a>. There’s more awesome out there beyond <a href="https://github.com/sindresorhus/awesome">Awesome Lists </a>, like <a href="https://explorabl.es/">explorabl.es </a>, the <a href="https://cooperpress.com/publications/">Cooperpress newsletters </a>, or the “<a href="https://en.wikipedia.org/wiki/Swipe_file">swipe file </a>” phenomenon used among designers and content creators. There's respectable work in curation. Still, curation is more important as a stepping stone to our original higher calling. Less is more.

Step 4: Return to your curations regularly to discover your creative path forward

Collections of a certain size tend to produce interesting findings. Patterns and gaps emerge that inspire creative next steps. As an example, while researching approaches to Python packaging, a pattern emerged that led to one of my most popular concepts/blog posts/talks, <a href="https://sedimental.org/the_packaging_gradient.html">The Packaging Gradient </a>.

Whole projects can be born out of connections made with collections. My framework <a href="http://github.com/mahmoud/clastic">Clastic </a>, which was eventually used by teams at PayPal and Wiki Loves Monuments, came out of the curated combination of <a href="http://pytest.org/">pytest </a>semantics with <a href="https://werkzeug.palletsprojects.com/">werkzeug </a>primitives.

Realistically, the majority of creation happens below the threshold of standalone artifacts. For instance, when adding a feature to an existing system, a parallel approach in a different project serves as a useful guide. I've lost track of the number of times I've swiped techniques from Awesome Python Applications, including ones used to <a href="https://sedimental.org/tech_refresh.html">port my dayjob's 300k SLOC codebase from Python 2 to 3 </a>.

Most creative outputs have a similar lineage. Only now we have an explicit process.

It's easy to see creations we appreciate as towering achievements that sprung fully-formed from their creators' genius. But creation comes in fits and starts. If creation comes slowly, here are a few strategies to consider :

<ul><li>Search for a natural split in an existing collection that's getting too big, and explore what makes it interesting.  </li><li>Revisit an old, contentious critique and re-react. What did you get right/wrong? </li><li>Pick a particular exemplar and turn it into a case study. One beautiful aspect of FOSS projects is that going deep can mean getting involved. There's nothing like proximity to a problem to inspire creative thinking. </li> </ul>

More generally, be wary of one-size-fits-all solutions; while prescriptive techniques such as the <a href="https://zettelkasten.de/">Zettelkasten Method </a>may work for some, creation is idiosyncratic. Embrace your own process.

When inspiration hits, connections can form so quickly that we take for granted what goes on. When inspiration proves less willing to strike, we can keep ourselves primed for creativity by ensuring all four activities continue in balance.

There are a few notable benefits of intentional creation:

<ol><li>When you've built something, the influences are well-documented. It can be easier to involve others when there's a clear creative thread to pull on. </li><li>Sharing your critiques and curations invites collaboration with other creators and curators.  </li><li>Self-awareness. If you're not finding your critiques crystallizing into new thoughts and ideas for projects, that's a sign you're looking at the wrong stuff. Are you following your interests or passively consuming trending content? </li> </ol>

Practically, intentional creation means consciously spending less time on consumer sites, from Twitter to Hacker News, and more time taking notes, tagging bookmarks, and creating your own knowledge base. Attempt activities that are less entertainment and more you , ultimately closing the gap between you and your creative goals.

If it sounds too simple, that's because it is. You're still accountable to you, that's the hard part. But hopefully you'll find some value in this simple hierarchy that lets you check in on your own activities and make adjustments toward a more creative end. Spend less time consuming, and more time on the other three Cs. Consume only enough to allow yourself to critique, curate, and create.

If you made it this far, then start now. Step 2. Use any tool or service you like, from <a href="https://docs.google.com/spreadsheets/d/1Vvrnp83PDkIGKq6pYJqPGf99xqRn8Cg4MJiTGOxgS0U/edit#gid=1010469400">spreadsheets </a>to <a href="https://github.com/mahmoud/awesome-python-applications/blob/master/projects.yaml">YAML </a>, and answer this: What's your critique?

Hey! I’m Mahmoud. I’m based in Silicon Valley—the heart of tech (or the geographic one anyways). I’ve been in payments since I first came out here to work at PayPal, and was previously the engineering director at <a href="https://simplelegal.com/">SimpleLegal </a>, a Y Combinator invoicing startup. Currently, I’m a staff engineer at Stripe leading efforts in our B2B payments group. On the side I <a href="http://sedimental.org/">blog </a>, help run the <a href="https://pyninsula.org/">Pyninsula meetup group </a>, give<a href="https://sedimental.org/talks.html">a few talks </a>, and occasionally post <a href="http://soundcloud.com/chillanimebeats">lo-fi mixtapes </a>(though lately I’ve been learning violin).

Intentional creation

Reflect on what you consume to increase your creativity

Tips to reflect on what you consume

Ovidiu Podariu's ideas are part of this journey:

Related collections

Similar ideas